come back.â
âNow they tell us!â
âThis isnât the first time sheâs been late, Withers said. He thinks thereâs some man involved.â British accent again. âThe Witherses didnât feel it their place to tell us.â
âOh, my God! Oh, my God! I mustnât cry. If someone notices, theyâll try to make us call the cops. Donât let me cry, Bran!â
âYouâre an actress, Coral. Cool it.â
âYes, yes. Weâve got to get back to the St. Georges. Weâve got to be there when they call again.â
It wasnât the Wind deal. It was Cornie. It was his child. He remembered how his mother had felt when he was kidnapped, and the tears came into his throat. What had his mother said sheâd done? Passed out. Fainted. But she was just a mother, and Coral was a star so Coral mustnât faint. Theyâd be all over Coral if she fainted. There must be some reporters around still and all the papers would carry it.
âI wonât cry. I wonât cry,â she said.
âAttagirl.â âMy husband was marvelous,â she would tell the reporters when it was over. âI was about to climb the walls, but he calmed me down. Mastroianni said, âWhen I work with Fellini Iâm like a sponge.â Thatâs how it was with me. With Bran directing, I was like a sponge. And if he could direct me at a time like that!â âThatâs the stuff, darling! Now we go back in, and this time we mind our manners. Yes, we do, Coral. You can do it. Five minutes because, look, we donât want anyone here to connect our leaving with a phone call from Cornieâs nurse. Yes, I know what Iâm doing. I tell you we have to make five minutesâ conversation about anything but Cornieâs nurse and then we can leave. Reason? We movie actors have to be up crack of dawn, that bit. And thatâs just what we give Nube, too.â
âFuck Nube.â
âYouâre always telling me he doesnât miss a trick. You want him sticking his nose in?â If Nube got into it he, Bran, would be out. O-u-t.
She nodded. âNube might say the cops. He might.â
âThen you better do some acting.â For a change. âDid you have a drink? When we get back to Lady Whosit, pick it up. Drink it. You could use a drink, anyhow. Donât gulp. Sip. Iâll do the talking and you be the star whoâs out on her feet. I want a glazed look in your eyes that means youâre trying not to yawn in their faces. You know exactly what I want.â He took her arm.
âYou bastard, youâre directing! This is my baby!â But she smiled in a tired way, her lip-lifting smile, barely sustained. âYou give me one more direction Iâll spit in your eye.â
âLater,â he said grandly, ânow give me the pooped-out star, darling.â She could only hold her glass up; anyone watching could see nothing was going down. He was the real actor. He ad-libbed to Lady St. Shit and the others, and all Coral could do was go along as a supporting player, doing very little supporting at that.
Then they excused themselves. Now for Nube. Nube was talking to a tall man in military costume but stopped when they approached. Bran gave Nube the Coral-dead-on-her-feet story. Nube, he saw, listened to him but watched Coral.
âYou were asking me about directing, Sir George. Now in this little scene Bran wants Coral to show sheâs down to her last red corpuscle, because this scene is supposed to say Nube looks harmless (the quiet man, they call me) but he works his actors to death because actors arenât human beings to Nube. Dirt!â
âMy dear sir!â
âMr. Branton Collier has purchased the rights to Wild West Wind from under Nubeâs nose just so his darling wife wonât be worked to death by a has-been. You may have read about Wild West Wind , Sir George?â
âAfraid