Chrysalis
into a much better work. It’s a story that
should
have been much better written. There’s something important in it, something that needs someone to bring it out. I’m sure you think so too, Tengo. Am I wrong? We each contribute our own special talents to the project: we pool our resources for one thing only, and that is
to bring out that important something in the work
. Our motives are pure: we can present them anywhere without shame.”
“Well, you can try to rationalize it all you want, you can invent all kinds of noble-sounding pretexts, but in the end, a scam is a scam.”
“Look, Tengo, you’re losing sight of one crucial fact,” Komatsu said, his mouth opening in a big, wide grin the likes of which Tengo had never seen. “Or should I say you are deliberately choosing not to look at it? And that’s the simple fact that
you want to do this
. You already feel that way—’risk’ and ‘morality’ be damned. I can see it. You’re itching to rewrite
Air Chrysalis
with your own hands.
You
want to be the one, not Fuka-Eri, who brings out that special something in the work. I want you to go home now and figure out what you really think. Stand in front of a mirror and give yourself a long, hard look. It’s written all over your face.”
Tengo felt the air around him growing thin. He glanced at his surroundings. Was the image coming to him again? But no, there was no sign of it. The thinness of the air had come from something else. He pulled his handkerchief from his pocket and wiped the sweat from his brow. Komatsu was always right. Why should that be?
CHAPTER 3
Aomame
SOME CHANGED FACTS
Aomame climbed down the emergency stairway in her stocking feet. The wind whistled past the stairway, which was open to the elements. Snug though her miniskirt was, it filled like a sail with the occasional strong gust from below, providing enough lift to make her steps unsteady. She kept a tight grip on the cold metal pipe that served as a handrail, lowering herself a step at a time, backward, and stopping now and then to brush aside the stray hair hanging down her forehead and to adjust the position of the shoulder bag slung diagonally across her chest.
She had a sweeping view of National Highway 246 running below. The din of the city enveloped her: car engines, blaring horns, the scream of an automobile burglar alarm, an old war song echoing from a right-wing sound truck, a sledgehammer cracking concrete. Riding on the wind, the noise pressed in on her from all directions—above, below, and 360 degrees around. Listening to the racket (not that she wanted to listen, but she was in no position to be covering her ears), she began to feel almost seasick.
Partway down, the stairs became a horizontal catwalk leading back toward the center of the elevated expressway, then angled straight down again.
Just across the road from the open stairway stood a small, five-story apartment house, a relatively new building covered in brown brick tile. Each apartment had a small balcony facing the emergency stairway, but all the patio doors were shut tight, the blinds or curtains closed. What kind of architect puts balconies on a building that stands nose-to-nose with an elevated expressway? No one would be hanging out their sheets to dry or lingering on the balcony with a gin and tonic to watch the evening rush-hour traffic. Still, on several balconies were stretched the seemingly obligatory nylon clotheslines, and one even had a garden chair and potted rubber plant. The rubber plant was ragged and faded, its leaves disintegrating and marked with brown dry spots. Aomame could not help feeling sorry for the plant. If she were ever reincarnated, let her
not
be reborn as such a miserable rubber plant!
Judging from the spiderwebs clinging to it, the emergency stairway was hardly ever used. To each web clung a small black spider, patiently waiting for its small prey to come along. Not that the spiders had any awareness of being