McKenna appeared at the top of the stairs withValentina right behind her, both in their loose-fitting sleep shirts. âWas that you who screamed, Miss Moreau?â Mrs. McKenna asked.
âI saw someone in Edwardâs room. Blast it, Iâm going in.â
I turned the key in the lock and opened the door. We all pressed inside. Edward lay on the bed, unconscious, with sweat dripping down his brow. My heart pounded as I searched the tall curtains. Montgomery threw open the armoire, and Lucy knelt to look under the bed. They both came up empty-handed.
Had it been only my imagination?
Mrs. McKenna watched me keenly. âThis person you saw,â she said, throwing Valentina a wary glance. âCan you describe him or her?â
âI donât know if was a man or a woman. I only saw the personâs eye looking at me through the keyhole. It was completely white, as though the iris had been drained of color.â
Mrs. McKenna shared another look with Valentina, this one substantially less mysterious. I felt as though I was missing something between these two.
âDo you know the person?â Montgomery asked.
âOh, aye, we know him.â Mrs. McKennaâs mouth quirked with either annoyance or amusement, I couldnât tell. She walked over to a fading oil painting in a gilded frame that stood as tall as her. To my surprise she swung it open on groaning hinges, reaching quickly into what must have been an alcove or tunnel behind the painting, and grabbed something that scrambled there.
I heard a tussle as the thing tried to get away, but then gave up with a curt little sigh and let the housekeeper pull it out.
No one was more shocked than I when her hand reemerged clutching a small child by his shirt collarâs high nape. He was a tiny thing, five years old perhaps, with a shock of dark hair and a scowl that rivaled even that of the old bartender from the inn on the main road. A live white rat perched on his shoulderâa tamed pet. Lucy made a face of disgust.
When Mrs. McKenna turned him toward the light, I saw his eyes. One was a deep brown, the other milky white.
âIs this your trespasser, miss?â
âY . . . yes,â I stammered.
Mrs. McKenna let go of the boyâs shirt. âThis is Master Hensley. Heâs been missing since breakfast. He often disappears; he always comes back sooner or later, when heâs hungry. I should have thought to look in the walls.â
âMaster Hensley?â
âAye, Mistress Elizabethâs son.â Mrs. McKenna gave me a strange look. âDidnât she mention him?â
Something curdled my blood. Iâd spent a month in London with Elizabeth, sharing all our secrets, practically becoming family, and not once had she mentioned having a son.
Why not?
The housekeeper gave him a firm pat on the back in the direction of Valentina. âTo bed with you, child. Leave our guests alone, else theyâll think the house haunted.â
Valentina held out her hand, ungloved now that she was just in her dressing gown. Her hand was surprisingly small and white beneath her long sleeve, not at all the same complexion as the rest of her body. I wondered if the pigment in her skin had been bleached in some chemical accident. That would certainly explain why she wore gloves most of the time, when she hardly acted like a Puritan.
The little boy sauntered off with her into the hallway. He barely seemed like a child in those stiff clothes, with that scowling faceâmore like a little man made to live in a too-small body. His scuffed shoes and the dirt under his nails spoke of frequent disappearances like this one.
âI apologize for the disturbance,â Mrs. McKenna said, closing the painting. âItâs an old house, filled with these tunnels. Mad Lord Ballentyne is rumored to have built them to confuse spirits that might be wandering the halls, though I think itâs more likely it was to hide his