north of Chase on Sumner Street, four matching red-brick buildings of two stories each house, in west-east order, the French Landing Public Library; the offices of Patrick J. Skarda, M.D., the local general practitioner, and Bell & Holland, a two-man law firm now run by Garland Bell and Julius Holland, the sons of its founders; the Heartfield & Son Funeral Home, now owned by a vast, funereal empire centered in St. Louis; and the French Landing Post Office.
Separated from these by a wide driveway into a good-sized parking lot at the rear, the building at the end of the block, where Sumner intersects with Third Street, is also of red brick and two stories high but longer than its immediate neighbors. Unpainted iron bars block the rear second-floor windows, and two of the four vehicles in the parking lot are patrol cars with light bars across their tops and the letters FLPD on their sides. The presence of police cars and barred windows seems incongruous in this rural fastness— what sort of crime can happen here? Nothing serious, surely; surely nothing worse than a little shoplifting, drunken driving, and an occasional bar fight.
As if in testimony to the peacefulness and regularity of small-town life, a red van with the words LA RIVIERE HERALD on its side panels drifts slowly down Third Street, pausing at nearly all of the mailbox stands for its driver to insert copies of the day’s newspaper, wrapped in a blue plastic bag, into gray metal cylinders bearing the same words. When the van turns onto Sumner, where the buildings have mail slots instead of boxes, the route man simply throws the wrapped papers at the front doors. Blue parcels thwack against the doors of the police station, the funeral home, and the office buildings. The post office does not get a paper.
What do you know, lights are burning behind the front downstairs windows of the police station. The door opens. A tall, dark-haired young man in a pale blue short-sleeved uniform shirt, a Sam Browne belt, and navy trousers steps outside. The wide belt and the gold badge on Bobby Dulac’s chest gleam in the fresh sunlight, and everything he is wearing, including the 9mm pistol strapped to his hip, seems as newly made as Bobby Dulac himself. He watches the red van turn left onto Second Street, and frowns at the rolled newspaper. He nudges it with the tip of a black, highly polished shoe, bending over just far enough to suggest that he is trying to read the headlines through the plastic. Evidently this technique does not work all that well. Still frowning, Bobby tilts all the way over and picks up the newspaper with unexpected delicacy, the way a mother cat picks up a kitten in need of relocation. Holding it a little distance away from his body, he gives a quick glance up and down Sumner Street, about-faces smartly, and steps back into the station. We, who in our curiosity have been steadily descending toward the interesting spectacle presented by Officer Dulac, go inside behind him.
A gray corridor leads past a blank door and a bulletin board with very little on it to two sets of metal stairs, one going down to a small locker room, shower stalls, and a firing range, the other upward to an interrogation room and two facing rows of cells, none presently occupied. Somewhere near, a radio talk show is playing at a level that seems too loud for a peaceful morning.
Bobby Dulac opens the unmarked door and enters, with us on his shiny heels, the ready room he has just left. A rank of filing cabinets stands against the wall to our right, beside them a beat-up wooden table on which sit neat stacks of papers in folders and a transistor radio, the source of the discordant noise. From the nearby studio of KDCU-AM, Your Talk Voice in the Coulee Country, the entertainingly rabid George Rathbun has settled into Badger Barrage, his popular morning broadcast. Good old George sounds too loud for the occasion no matter how low you dial the volume; the guy is just flat-out noisy
Learning to Kill: Stories