casual-register story structure. Key individuals are usually not referred to during the story because making reference to them isn't part of the story structure. The most important keys to understanding the story are often the omissions. For example, when someone says, "He left," you can pretty much predict who "he" will go stay with when there is trouble. If he is having trouble with his mother, he will go stay with an ex-wife or a girlfriend. If he is having trouble with his current wife, he will go stay with his mother. Women tend to go stay with their sisters and sometimes their mothers. Whether or not a mother or ex-wife is mentioned in the story, if the family is in generational poverty, you can be fairly certain that these are key players. You can also be fairly sure that the males are in and out-sometimes present, sometimes not, but not in any predictable pattern. Furthermore, you can know that as the male temporarily or permanently changes residences, the allegiances will change also.
Additionally within these families there tend to be multiple internal feuds. Allegiances may change overnight; favoritism is a way of life. Who children go to stay with after school, who stays with whom when there is trouble, and who is available to deal with school issues are dependent on the current alliances and relationships at that moment. For example, Ned comes home drunk and beats up his wife, Susan. She calls the police and escapes with the three kids to her mother's house. He goes to his mother's because she arranges to get him out of jail. His mother is not speaking to Susan because she called the cops on him and put him in jail. But Ned's mother usually keeps his kids after school until Susan gets home. Now it is Monday and Susan doesn't have any place to send the kids. So she tells them to go to her mother's house after school, which means they must go on a different bus because she doesn't know if Ned will show up at the house and be waiting for her. On Tuesday the kids again go to Susan's mom's house. But on Wednesday Ned's mom calls Susan and tells her that that no-good Ned got drunk last night and she kicked him out of her house. So now Susan and Ned's mother are good friends, and Ned is on the hot seat. So Ned goes to the apartment of his ex-wife, Jackie, because last week she decided she'd had enough of Jerry, and she was very glad to see Ned ... And so the story continues.
The key roles in these families are fighter/lover, caretaker/rescuer, worker, storyteller, and "keeper of the soul" (i.e., dispenser of penance and forgiveness). The family patterns in generational poverty are different from the middle class. In poverty the roles, the multiple relationships, the nature of the male identity, the ever-changing allegiances, the favoritism, and the matriarchal structure result in a different pattern.
The economic traits which are most characteristic of the culture of poverty include the constant struggle for survival, unemployment and underemployment, low wages, a miscellany of unskilled occupations, child labor, the absence of savings, a chronic shortage of cash, the absence of food reserves in the home, the pattern of frequent buying of small quantities of food many times a day as the need arises, the pawning of personal goods, borrowing from local money lenders at usurious rates of interest, spontaneous informal credit devices (tandas) organized by neighbors, and the use of second-hand clothing and furniture.
- Oscar Lewis, Four Horsemen
HOW THESE CHARACTERISTICS SURFACE WITH ADULTS AND STUDENTS FROM POVERTY
Place a check mark in front of the items that describe students or adults with whom you regularly interact. They ...
Also...
? Men socialize with men and women with women. Men tend to have two social outlets: bars and work. Women with children tend to stay at home and have only other female relatives as friends, unless they work outside the home. Men tend to be loners in any other social setting and avoid