disappeared as silently as they had come. All the time not a light was to be seen, or the sound of a human voice. It was a strange place for a white man to be in, and so Simon Carne evidently thought as he obeyed his guideâs invitation and entered the last house on the right hand side.
Whether the buildings had been originally intended for residences or for offices it would be difficult to say. They were almost as old as John Company himself, and would not appear to have been cleaned or repaired since they had been first inhabited.
From the centre of the hall, in which he found himself, a massive staircase led to the other floors, and up this Carne marched behind his conductor. On gaining the first landing he paused while the Babu went forward and knocked at a door. A moment later the shutter of a small
grille
was pulled back, and the face of a native woman looked out. A muttered conversation ensued, and after it was finished the door was opened and Carne was invited to enter. This summons he obeyed with alacrity, only to find that once he was inside, the door was immediately shut and barred behind him.
After the darkness of the street and the semi-obscurity of the stairs, the dazzling light of the apartment in which he now stood was almost too much for his eyes. It was not long, however, before he had recovered sufficiently to look about him. The room was a fine one, in shape almost square, with a large window at the further end covered with a thick curtain of native cloth. It was furnished with considerable taste, in a mixture of styles, half European and half native. A large lamp of worked brass, burning some sweet-smelling oil, was suspended from the ceiling. A quantity of tapestry, much of it extremely rare, covered the walls, relieved here and there with some superb specimens of native weapons; comfortable divans were scattered about, as if inviting repose, and as if further to carry out this idea, beside one of the lounges, a silver-mounted narghyle was placed, its tube curled up beside it in a fashion somewhat suggestive of a snake.
But, luxurious as it all was, it was evidently not quite what Carne had expected to find, and the change seemed to mystify as much as it surprised him. Just as he was coming to a decision, however, his ear caught the sound of chinking bracelets, and next moment the curtain which covered a doorway in the left wall was drawn aside by a hand glistening with rings and as tiny as that of a little child. A second later Trincomalee Liz entered the room.
Standing in the doorway, the heavily embroidered curtain falling in thick folds behind her and forming a most effective background, she made a picture such as few men could look upon without a thrill of admiration. At that time she, the famous Trincomalee Liz, whose doings had made her notorious from the Saghalian coast to the shores of the Persian Gulf, was at the prime of her life and beautyâa beauty such as no man who has ever seen it will ever forget.
It was a notorious fact that those tiny hands had ruined more men than any other half-dozen pairs in the whole of India, or the East for that matter. Not much was known of her history, but what had come to light was certainly interesting. As far as could be ascertained she was born in Tonquin; her father, it had been said, was a handsome but disreputable Frenchman, who had called himself a count, and over his absinthe was wont to talk of his possessions in Normandy; her mother hailed from Northern India, and she herself was lovelier than the pale hibiscus blossom. To tell in what manner Liz and Carne had become acquainted would be too long a story to be included here. But that there
was
some bond between the pair is a fact that may be stated without fear of contradiction.
On seeing her, the visitor rose from his seat and went to meet her.
âSo you have come at last,â she said, holding out both hands to him. âI have been expecting you these three weeks past.