coats of green. She notices the lemon and fig trees and, again, the perfume of jasmine in the air. She feels dizzy. These are not the trees of her childhood in the north of Italy, with its crisp smell of pine and juniper berries in the air. Here she feels as though she has awakened from a dream. The dialect is foreign. The skin more weathered, the clothes less refined.
How many days has it been since she has slept deeply? The fatigue inside her is paralyzing, and she is thirsty for sleep. Everything she does seems to require an inordinate amount of energy, compounded by the strain of trying not to appear tired and vulnerable.
Inside the house, he offers her a glass of water. She drinks it down greedily and he refills the glass. And, then, one more time. He goes into the kitchen and cuts her three pieces of bread. He spoons some honey into a bowl. He removes the stem of a persimmon and quarters it with a knife before scooping out the soft flesh into a saucer.
She takes only one spoonful of the honey with the bread even though she wants more. She takes only a little of the persimmon. She does not want to reveal the nakedness of her hunger. But the third glass of water, she finishes entirely.
“You are probably tired from your journey,” he tells her. “I have a spare room, where you can get some rest.”
He walks her to a small room with white walls, painted tiles on the floor, and a window that overlooks the sea. The air billows through the translucent curtains, and the image reminds her of her skirt lifting in the ocean breeze.
“Yes, I need to sleep,” she says.
He closes the door behind him, and she waits until she hears his footsteps down the hall. She notices the key in the door and turns it, hearing the lock click. Then, knowing she is finally safe, at least for the moment, she lifts up her rucksack to the bed and unpacks it.
***
The contents are both what one would expect and what one would not.
She takes out the first layer. The spare blue dress, her slip, and her underclothes. Then, the sweater from Luca, which she brings to her face and inhales.
Her heart pounds as she removes the second layer. A small toiletry bag that contains her toothbrush, a bar of soap, and her comb.
She next comes to her nightgown, then the small pouch with the amulet on a leather cord, which she cups in her hands. But then on the bottom of her rucksack, she withdraws a book, so slender it could be a journal. For a moment, she pauses. She rests her hand on its well-worn cover. Then, slowly and with great reverence, she opens it. Inside this book is another folded piece of paper. But it’s not something written in a code that she doesn’t understand. Nor is she meant to deliver it as she did during her days as a messenger for the Resistance. Instead, she unfolds it to reveal a sheet of musical score.
She closes her eyes and hears the song imprinted on it.
***
How does one hear music? Is it the rhythm of an unspoken language? An untranslatable code?
Elodie hears the notes inside her head like the movement of water. It begins in soft ripples. She also hears the notes in color. An ink wash of pale blue, or the glimmer of white stone. Soothing at times, then escalating. Long, interconnected strokes that enter her in a wholly different channel. Not through her mind, but in the deepest cavity of her belly.
She closes her eyes and remembers her cello back in Verona. The prestigious music school where she carried her instrument every morning, in the black case nearly the same size as she.
She remembers holding the cello between her legs. Her knees two bookends against the lowest curve, one arm embracing the neck, while the other held the bow. With each stroke of her bow, her body coaxed the instrument into song.
But now, she merely takes the sheet of music to the bed and folds her hands over the top. She relaxes as the notes float through her. Sleep finally takes over her, until there is nothing but the melody of the notes