exactly
where
he’s working, but anyhow: he’s just fine!”
Yet he did provide something that they counted on, somehow. He did leave a hole when he was absent. That first time that he skipped the beach trip, for instance, the summer he claimed to be gay: nobody knew that he wasn’t coming. They kept waiting for him to phone and announce his arrival date, and when it grew clear that he wasn’t going to, everyone experienced the most crushing sense of flatness. Even after they’d arrived at the cottage they always rented, and unpacked their groceries and made up the beds and settled into their usual beach routine, they couldn’t shake the thought that he still might show up. They turned hopefully from their jigsaw puzzle when the screen door slammed in an evening breeze. They stopped speaking in mid-sentence when somebody out beyond the breakers started swimming toward them with that distinctive, rolling stroke that Denny always used. And halfway through the week … oh, here was the strangest part. Halfway through the week, Abby and the girls were sitting on the screen porch one afternoon shucking corn, and they heard Mozart’s Horn Concerto No. 1 playing out back. They looked at each other; they rose from their chairs; they rushed through the house and out the door … and they saw that the music came from a car parked across the road. Someone was sitting in the driver’s seat with all the windows rolled down (but still, he must be baking!) and his radio playing full-blast. A man in a tank top; not an item of clothing Denny would have been caught dead in. A heavyset man, if you judged by the girth of the elbow resting on the windowledge. Heavier than Denny could be even if he had done nothing but eat since the last time they had seen him. But still, you know how it is when you’re missing a loved one. You try to turn every stranger into the person you were hoping for. You hear a certain piece of music and right away you tell yourself that he could have changed his clothing style, could have gained a ton of weight, could have acquired a car and then parked that car in front of another family’s house. “It’s him!” you say. “He came! We knew he would; we always …” But then you hear how pathetic you sound, and your words trail off into silence, and your heart breaks.
2
I N THE WHITSHANK FAMILY, two stories had traveled down through the generations.These stories were viewed as quintessential—as
defining
, in some way—and every family member, including Stem’s three-year-old, had heard them told and retold and embroidered and conjectured upon any number of times.
The first story concerned their earliest known ancestor, Junior Whitshank, a carpenter much sought after in Baltimore for his craftsmanship and his sense of design.
If it seems odd to call a patriarch “Junior,” there was a logical explanation. Junior’s true name was Jurvis Roy, shortened at some point to J. R. and then re-expanded, accordion-like, to Junior. (This was a fact so little known that his own daughter-in-law had to ask his name when she was briefly contemplating making her firstborn a III if he turned out to be a boy.) But what was even odder was that Junior was not some distant great-great, but merely Red Whitshank’s father. And there was no evidence of his existence prior to 1926, which seemed an unusually recent year for the start of a family tree.
Where he came from was never documented, but the generalfeeling was that he might have hailed from the Appalachian Mountains. Maybe he had once said something to that effect. Or it could have been mere guesswork, based on the way he talked. According to Abby, who had known him since her girlhood, he had a thin, metallic voice and a twangy Southern accent, although he must have decided at some point that it would elevate his social standing if he pronounced his
i’
s in the Northern way. In the middle of his country-sounding drawl, Abby said, a distinct, sharp
i
would