had
had shoulders. The eyes were still
looking around, I don’t know what
they were thinking.
The chickens ate all the crickets.
The foxes ate all the chickens.
I ate the fish.
EXTENDING THE AIRPORT RUNWAY
The good citizens of the commission
cast their votes
for more of everything.
Very early in the morning
I go out
to the pale dunes, to look over
the empty spaces
of the wilderness.
For something is there,
something is there when nothing is there but itself,
that is not there when anything else is.
Alas,
the good citizens of the commission
have never seen it,
whatever it is,
formless, yet palpable.
Very shining, very delicate.
Very rare.
TIDES
Every day the sea
blue gray green lavender
pulls away leaving the harbor’s
dark-cobbled undercoat
slick and rutted and worm-riddled, the gulls
walk there among old whalebones, the white
spines of fish blink from the strandy stew
as the hours tick over; and then
far out the faint, sheer
line turns, rustling over the slack,
the outer bars, over the green-furred flats, over
the clam beds, slippery logs,
barnacle-studded stones, dragging
the shining sheets forward, deepening,
pushing, wreathing together
wave and seaweed, their piled curvatures
spilling over themselves, lapping
blue gray green lavender, never
resting, not ever but fashioning shore,
continent, everything.
And here you may find me
on almost any morning
walking along the shore so
light-footed so casual.
OUT OF THE STUMP ROT, SOMETHING
Out of the stump rot
something
glides forward
that is not a rope,
unless a rope has eyes,
lips,
tongue like a smack of smoke,
body without shoulders.
Thus: the black snake
floating
over the leaves
of the old year
and down to the pond,
to the green just beginning
to fuzzle out of the earth,
also, like smoke.
If you like a prettiness,
don’t come here.
Look at pictures instead,
or wait for the daffodils.
This is spring,
by the rattled pond, in the shambled woods,
as spring has always been
and always will be
no matter what we do
in the suburbs.
The matted fur,
the red blood,
the bats unshuttering
their terrible faces,
and black snake
gliding across the field
you think you own.
Long neck, long tail.
Tongue on fire.
Heart of stone.
IN OUR WOODS, SOMETIMES A RARE MUSIC
Every spring
I hear the thrush singing
in the glowing woods
he is only passing through.
His voice is deep,
then he lifts it until it seems
to fall from the sky.
I am thrilled.
I am grateful.
Then, by the end of morning,
he’s gone, nothing but silence
out of the tree
where he rested for a night.
And this I find acceptable.
Not enough is a poor life.
But too much is, well, too much.
Imagine Verdi or Mahler
every day, all day.
It would exhaust anyone.
THE MORNING PAPER
Read one newspaper daily (the morning edition
is the best
for by evening you know that you at least
have lived through another day)
and let the disasters, the unbelievable
yet approved decisions,
soak in.
I don’t need to name the countries,
ours among them.
What keeps us from falling down, our faces
to the ground; ashamed, ashamed?
THE POET COMPARES HUMAN NATURE
TO THE OCEAN FROM WHICH WE CAME
The sea can do craziness, it can do smooth,
it can lie down like silk breathing
or toss havoc shoreward; it can give
gifts or withhold all; it can rise, ebb, froth
like an incoming frenzy of fountains, or it can
sweet-talk entirely. As I can too,
and so, no doubt, can you, and you.
ON TRAVELING TO BEAUTIFUL PLACES
Every day I’m still looking for God
and I’m still finding him everywhere,
in the dust, in the flowerbeds.
Certainly in the oceans,
in the islands that lay in the distance
continents of ice, countries of sand
each with its own set of creatures
and God, by whatever name.
How perfect to be aboard a ship with
maybe a hundred years still in my pocket.
But it’s late, for all of us,
and in truth the only ship there is
is the ship we