out, it seemed, and words had been written under the appropriate notes. “This Hot Guy,” Carlisle read, “does he get mean? This Hot Gunner with his accord-een. Shoots like he plays an’ he tops the bill. Plays like he shoots an’ he shoots to kill. Hi-de oh hi. Yip. Ho de oh do. Yip. Shoot buddy, shoot and we’ll sure come clean. Hot Guy, Hot Gunner on your accord-een. Bo. Bo. Bo.”
“Neat,” said Lord Pastern complacently. “Ain’t it?”
“It’s astonishing,” Carlisle murmured and was spared the necessity of further comment by the sound of voices in the drawing-room.
“That’s the Boys,” said Lord Pastern briskly. “Come on.”
The Boys were dressed in their professional dinner suits. These were distinctive garments, the jackets being double-breasted with the famous steel pointed buttons and silver revers. The sleeves were extremely narrow and displayed a great deal of cuff. The taller of the two, a man whose rotundity was emphasized by his pallor, advanced, beaming upon his host.
“Well, well, well,” he said. “Look who’s here.”
It was upon his companion that Carlisle fixed her attention. Memories of tango experts, of cinema near-stars with cigarette holders and parti-coloured shoes, of armoured women moving doggedly round dance floors in the grasp of young men — all these memories jostled together in her brain.
“ — and Mr. Rivera — ” her uncle was saying. Carlisle withdrew her hand from Mr. Bellairs’s encompassing grasp and it was at once bowed over by Mr. Rivera.
“Miss Wayne,” said Félicité‘s Carlos.
He rose from his bow with grace and gave her a look of automatic homage. “So we meet, at last,” he said. “I have heard so much.” He had, she noticed, a very slight lisp.
Lord Pastern gave them all sherry. The two visitors made loud conversation. “That’s very fine,” Mr. Breezy Bellairs pronounced and pointed to a small Fragonard above the fireplace. “My God, that’s beautiful, you know, Carlos. Exquisite.”
“In my father’s
hacienda
,” said Mr. Rivera, “there is a picture of which I am vividly reminded. This picture to which I refer is a portrait of one of my paternal ancestors. It is an original Goya.” And while she was still wondering how a Fragonard could remind Mr. Rivera of a Goya, he turned to Carlisle. “You have visited the Argentine, Miss Wayne, of course?”
“No,” said Carlisle.
“But you must. It would appeal to you enormously. It is a little difficult, by the way, for a visitor to see us, as it were, from the inside. The Spanish families are very exclusive.”
“Oh.”
“Oh, yes. An aunt of mine, Doña Isabella de Manuelos-Rivera, used to say ours was the only remaining aristocracy.” He inclined towards Lord Pastern and laughed musically. “But, of course, she had not visited a certain charming house in Duke’s Gate, London.”
“What? I wasn’t listening,” said Lord Pastern. “Look here, Bellairs, about to-night — ”
“To-night,” Mr. Bellairs interrupted, smiling from ear to ear, “is in the bag. We’ll rock them, Lord Pastern. Now, don’t you worry about to-night. It’s going to be wonderful. You’ll be there, of course, Miss Wayne?”
“I wouldn’t miss it,” Carlisle murmured, wishing they were not so zealous in their attentions.
“I’ve got the gun fixed up,” her uncle said eagerly. “Five rounds of blanks, you know. What about those umbrellas, now — ”
“You are fond of music, Miss Wayne? But of course you are. You would be enchanted by the music of my own country.”
“Tangos and rhumbas?” Carlisle ventured. Mr. Rivera inclined towards her. “At night,” he said, “with the scent of magnolias in the air — those wonderful nights of music. You will think it strange, of course, that I should be — ” he shrugged up his shoulders and lowered his voice — “performing in a dance band. Wearing these appalling clothes! Here, in London. It is terrible, isn’t