âYou made cutting comments at my auditions. I won you round with my undeniable charm?â Itâs the director from Ethanâs fringe musical.
âI remember, but Iâd describe your charm as deniable.â
âSo ⦠My low budget, but nevertheless excellent, musical is in need of a new leading lady.â
âI donât sing,â I tell him.
âOur mutual friend, Ethan, has sent me countless emails to the opposite.â
For a director, he should have a better grasp of English.
âI didnât say I couldnât sing, I said I donât.â I try to walk off. Some experimental theatre director getting pushy is the last thing I need now.
âRead it.â He stops me and makes me take his script.
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After Zachâs afternoon class I stay behind to practise. Zachâs watching. His pained face says it all, but just in case I donât get the message he spells it out.
âWhen itâs that quick, it needs to be technically perfect ⦠and light.â
âI know,â I say. Usually I hear: âtechnically perfect, but â¦â Now Iâm not even that. I donât know whatâs wrong with me.
I need to practise more but after Zach leaves, Finn marches in. Just when Iâm fumbling a step too.
âDo I need to take out a restraining order?â I enquire.
âWe lost the theatre for our rehearsals. I paid a booking fee, but I donât mind sharing.â
âI do.â
He starts unpacking his bag and then calls some girl in from the corridor, âMistiiâ.
A tall thin blonde totters in, all silver heels and giggles.
âI re-cast,â he says.
I donât have time for this. I try working on my fleeting relevés but Finn and Mistiiâs torturous character motivation chat is distracting. This Mistii canât get her head around the fact her character is pretty but doesnât realise it. How hard can it be?
âThereâs nothing to get,â I blurt out. âNot everyone looks in the mirror and likes what they see.â
Then Finn pulls out the choreography from his bag.
âEthan sent this from Barcelona,â I hear him say. Heâs having trouble interpreting it and as far as Mistiiâs concerned it might as well be hieroglyphics. Stupidity is so off-putting, there is no way I can focus on my own practice. I grab the choreography notation from them. Ethanâs old school, but itâs clear and itâs him. Itâs like heâs here.
âIt just means this.â I show them the steps which Mistii then butchers. She even has to hold her hands out in front to see which sideâs left. I find myself coaching her step by step through the chorey, and thatâs before sheâs even started singing while dancing. As she leaves I have to question Finnâs casting process.
âShe tries hard,â he says, âand my first choice turned me down. But she seems to respond to your approach. The least you can do is train her?â The guy doesnât give up.
âNo, the least I can do is nothing.â
âI need you,â he pleads. âMistii needs you.â
âBallet needs me,â I respond automatically. We need each other.
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The next day in Zachâs class, Iâm even worse.
âIf you keep smashing your head against a brick wall, the wall will win,â he says as I perform my solo. As if that isnât enough, Grace jumps in, performs alongside me with her natural talent, breezing through the brick wall. She canât resist a dig.
âGreat job Abs. You nearly got it.â Her bitchy asides I can deal with, Zachâs gentle concern is harder.
âYouâre clinging to something that shows up what you canât do ⦠I donât know how much clearer I can be.â He doesnât need to be. He thinks I canât do it. Nobody has ever thought I couldnât do a dance. Dealing with this isnât in my skill