up. It wasnât unusual for her to change outfits three times a day. Every social functionâs attire was highly stratified, even a trip to the grocery store had its own codeâDaddy didnât allow her to wear pants there. And in the small town that we lived in everything was so close, and Momma could just pop home, exchange one perfectly accessorized look for the next, and head back out. But in L.A., most places I go are a good twenty minutes away, so driving home is not an option.
Which is how I decided that if I really needed to, I could change my shirt in my truck. A bra covers just as much as a bikini top, I decided, so surely a quick switcheroo on a side street would not be that different from a swimsuit stroll on the beach past completely clad customers at a café.
Not that I do this a lot. Only once in a while, when it is absolutely necessary. Like now, today, after a morning with my sister-the-bride before an appointment to show my jewelry at a recently opened store. Rox is what itâs called, for the owner, Roxanne, who previously ran a rock starâs wifeâs store on Sunset before going out on her own, backed by the rock starâs producer, Bill, whom coincidentally I used to work for and who very kindly set up this appointment for me. Which Iâm thrilled he did. I feel ready, but also a little nervous.
Because I havenât really done this before. Sold to a store. I mean, I do have my jewelry in Tizzieâs, a small shop in Venice. One day while window-shopping, I wandered into the store, and the owner admired my earrings and necklace, then flat out said sheâd love to carry my stuff, even got me to give her the pieces I was wearing, so sure she was they would sell. And I was flattered since I had been designing jewelry for only six months. Iâve been selling pieces there for almost a year, but I havenât tried to sell to other stores because private commissions have kept me really busy. But when this connection to Rox appeared, I thought, why not follow it up? My goal is to sell to department stores and go national. And I guess showing my jewelry to the women who commission counts as practice somehow, but they have already seen one of my pieces on someone else and call me specifically to get something that will be at least as good as or usually better than their friendâs.
But here I am, parked on this street off Beverly Boulevard, around the corner from Rox, with fifteen minutes to kill until it is time to go in, and the idea of changing my shirt is relaxing me a little somehow. I wish Reggie had been home when I phoned him after Suzanneâs; he would have made me feel better about this appointment. With all that Michael-brunch insanity between us on the phone this morning, I didnât remember to tell him that my appointment with Rox was today, so he has no idea. Maybe Iâll try him at the editing room after all. Stop. Now, just relax. The appointmentâs going to be fine. Sheâll either buy my stuff or she wonât. Please, God, make her buy a ton. Now câmon, focus on something I can control, likeâ¦which top should I change into? Black is the obvious choice, but dark blue accomplishes almost everything black does while still being blue. I take my pins off the pale pink top I am wearing that I hoped would subconsciously convey to Suzanne my happiness about her impending nuptial bliss and affix them onto the dark blue fitted knit one. I whip off the pink top, put it on the seat next to me, and as I am about to pull the blue one down over my head, I notice an elderly Hasidic man in a large station wagon watching me as he slowly drives by. His expression indicates that he does not equate my partial nudity with a day at the beach.
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If sea water were a store, it would be Roxanneâs boutique. Tiny, aquatic-colored tile descends the walls from pale to deep. Clumps of clothing sprout up in beams of light focused from below and