feel about music; if it’s still being printed in fifty years, I’ll read it then. If, of course, I’m still around in fifty years, but there’s no point in dwelling on that. I’d rather remember Zola’s speech to the jury on the Dreyfus case, which I found in Volume 10. I don’t know who recorded that speech for history, but he ought to be thanked.
Certainly, there’s a good deal of nonsense in it. “Who suffers for truth and justice becomes august and sacred.” Indeed? I remember laughing aloud the first time I read that, and wishing I’d been there when he said it just so I could have looked at his face and seen if he believed it. But there is some truth in his speech that goes far beyond the case of the moment, and his love for his military, and his worship of that stupid country full of stupid Frenchmen. “For when folly and lies are thus sown broadcast, you necessarily reap insanity,” he said, and what man who has lived for more than forty years has not seen that truth?
“We have had to fight step by step against an extraordinarily obstinate desire for darkness.” Yes, indeed, Emile, we have; or, rather, you have, you and your ilk. That is certainly not my fight, nor will it ever be, but I can applaud yours, and even, to my surprise, discover a couple of tears for the way it has been fought. And, do you know, sometimes I even think that some ground has been gained. But then I read, in Volume 6, Robert Emmet’s speech from the scaffold, and I remember that Great Britain has banned songs that might even hint that all is not well in Northern Ireland, and I see that darkness is reclaiming its own.
But, as I said, this has never been my fight, and never will be. Darkness, I think, has its own charm, as
long as one can see well enough to avoid tripping over the furniture. As for me, my only desire is the quite natural one to live; to continue my chain of existence. And even that doesn’t matter much to me. That is a strange thing to say, but it has been going through my head since Jim brought it up, and it seems to me that I continue to exist, and I enjoy it, but should the end come, as it might soon, I will meet it with a shrug. This is no great virtue, nor any great flaw, it is simply my nature, and what man can contend with his nature?
But there, too—this is a strength. Zola and Emmet notwithstanding, strength does not come from passion for justice, it comes from not caring—about life, about justice, or what have you. If you are able to face an enemy, and not care what he does to you, then he cannot really hurt you. If you are able to say to a lover, “Do this or I’ll leave you,” and your lover wants you to stay, then you have power; it’s that simple. If you are able to say to the judge, “Kill me if you want, I don’t care,” and the judge doesn’t want to kill you, then you have the power. Now, it may be that the lover wants to leave you, and the judge probably does want to kill you, but if you can say, “I don’t care,” that is a strength they cannot take away.
Of course, you must mean it.
I seem to have reached a state where I can say these things and mean them, and it is this power that I enjoy. That is why I don’t fear what Kellem may do. Certainly, I cannot escape her, in this she has the power. But because that doesn’t matter to me, because I don’t care if I live or die, she cannot really hurt me.
No one can hurt me.
But I can still shed a few tears for Emile Zola.
Another day gone by. The weather has turned very cold, and the lack of heating in the house (the thermostat is set just barely high enough to keep the pipes from freezing)
is becoming annoying. I have the choice of sitting in front of the fireplace or here at the typewriter. My fingers are actually cold enough to interfere with my typing, at least a little. It just occurred to me that I could bring this machine down to the parlor, but I don’t think I want to. And there’s a limit to how often we
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