chattering subsided.
Mary Ann smiled to herself as she smoothed the linen down. Young Amelia had a few things to learn. Life wasnât all tram-rides to Cleryâs and appointments with the dressmaker. But no doubt she would find that out soon enough.
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The dressmaker congratulated Amelia on her choice of fabric and she took approving notes about the style Amelia wanted and added a few suggestions of her own. Amelia and the dressmaker agreed that Ameliaâs birthday frock was going to be perfectly beautiful.
âDonât you think itâs going to be lovely, Mama?â asked Amelia, standing on a little stool with her arms stretched out so that the dressmaker could measure her.
âQuite,â said Mama vaguely, peering out of the dressmakerâs front window into the street. âDear, dear,â she went on, though Amelia couldnât be sure whether she was talking to herself or not, âI do hate to see those children looking so ragged and hungry.â
âAre those Kelly children playing outside my house again?â said the dressmaker impatiently. âIâve told Mrs Kelly over and over again to keep her brats â I beg your pardon, her youngâuns â out of the way of my ladies. âLadies donât like to be troubled by your br⦠your childer, Mrs Kelly,â I tell her. âIt puts them off. Itâs bad for trade.â Honest to God, theyâre no better than tinkers, those Kellys.â
âIt looks to me,â said Ameliaâs mother, âas if they donât get enough to eat. Is their father working?â
âNo, Maâam. Not since the lock-out. A lot of the men from these cottages worked on the trams. Most of them went back to work, of course, but not Kelly. He was too proud to sign Mr Martin Murphyâs anti-union papers, so he never got taken on again. I blame that Mr Larkin and his communist ideas! Coming over here from England and stirring up trouble, itâs a holy disgrace, so it is. Himself and that Countess Markievicz should be tied together and thrown off a cliff, if you ask me. We donât need their foreign ideas here, so we donât.â
Amelia looked at Mama. She didnât really understand all about the lock-out, but she knew that men had wanted to join the unions under James Larkin, and that their employers had locked them out of their work because of it. And that a lot of poor families went hungry as a result. But what Amelia was most concerned about was Mamaâs reaction to what the dressmaker had said about Countess Markievicz. Everyone knew about the Countess and her political activities. She was always making speeches about womenâs rights and about Nationalism. The Countess and Mama were not exactly friends, but they did serve on some of the same committees.
âAnd what about the mother?â asked Ameliaâs mother, not mentioning her connections with the Countess.
âA brazen hussy!â
âNo, I mean, has she work?â
âShe used to be in service, before she was married. Now she helps out sometimes in the house where she was employed, when they have guests in and need someone extra in the kitchen.â
âAnd otherwise?â
âThatâs all.â
âSo, how do they live?â
The dressmaker had finished measuring Amelia and now she was making little marks with a piece of french chalk on the material. She shrugged in answer to Mamaâs question.
Mama shook her head sadly.
âHow many children has Mrs Kelly?â asked Amelia, remembering what Lucinda had said about poor people.
âFive, and one on the way. Her last baby died. Just as well, otherwise thereâd be seven of them soon, not counting the parents.â
âSix children!â said Amelia. âThatâs too many!â
âWhat ever do you mean, Amelia?â asked Mama, her cheeks pink with sudden anger. âThereâs no such thing as too many children.