Another You by Ann Beattie Read Free Book Online Page A
Authors: Ann Beattie
putting it on someone else’s aerial, assuming that it must be a lost hat someone had wanted to call attention to, but as she was walking toward the nearest car with an antenna, she realized that a man was sitting inside, watching her. She had pretended to be looking for someone, then quickly returned to her car with the hat still in her hand, feeling as guilty, she had said, as if she’d been caught about to spray graffiti. So: the poetry books; the beret. And perhaps he could bring a bottle of Beaujolais, if there was one in the house. Draw a mustache over his top lip, call her Madame. Such ideas were what Sonja called not funny and also self-defeating . “You’re not one of the college kids,” she often reminded him. “Why do you have to let the nonsense get to you so much?”
Because it was what he did for a living. Because he hadn’t published a book when he should have, which would have been his ticket out of Benson College, and the possibility of a serious academic career. And now it was too late, because all anyone cared about was theory. No one read books and got excited about them anymore; they argued that transparent plots were murkily opaque and incomprehensible, they projected political interpretations onto literature, then decried the offensive political implications. The day before, while he was getting a drink of water, Susan Campbell-Magawa had tucked a pamphlet in his back pocket—hey: what if he cried sexual harassment?—announcing a conference she knew he wouldn’t want to attend: Natty Bumppo and the Postmodern Predicament. Susan Campbell-Magawa and her husband would be renting a Rent-A-Wreck to drive through Southern California in order to go to an air-conditioned conference room in a windowless building, to express outrage, with other academics, concerning the improper politics and convoluted neoconservatism of a fictional character named Natty Bumppo. Mr. Magawa did not live in New Hampshire. He lived in Ann Arbor, where he had a job at the University of Michigan. Heand his wife commuted: one weekend a month he would fly to New Hampshire; one weekend she would fly to Michigan. With their frequent-flier miles, they vacationed every summer on Maui, where this year, no doubt, they would continue their discussion of Natty Bumppo while walking the beach with leis around their necks, and eating suckling pig, as Susan Campbell-Magawa continued to try to conceive a child. He knew this because Susan Campbell-Magawa, who had no use for him, was fond of Sonja. They had talked in September, at the welcoming party for new faculty. Mr. Magawa, who applied every year for a job at Benson and who was inevitably rejected because he was overqualified, was not in attendance. One year, he had distinguished himself by fainting while talking to President Llewellyn and later sending a note of apology, saying that his hectic life of commuting had recently begun to cause his physical collapse. Behind Susan Campbell-Magawa’s back, Jack McCallum and Darren Luftquist had worked up howlingly funny imitations of her husband passing out. The idea was to enact this as soon as possible after Susan Campbell-Magawa left the room, to try to make whoever remained in the room laugh, which usually meant that she would return to see if they were laughing at her. Once, Jack McCallum had almost been caught. From the floor, he had pretended to be tying his tennis shoe, and Dr. Gerold Ziller (as he always signed his memos) had appeared peculiarly cruel, to be laughing so hard at a man down on one knee, having trouble tying a shoelace, as Susan Campbell-Magawa reappeared and stood frowning in the doorway.
When Marshall first got the job, he had worked harder and been more collegial. But his real friends had moved on, publishing books that got them better jobs, or dropping out of teaching and going to business school, and as far as he was concerned, the serious study of literature had gone out the window when the theorists marched in.
Because it was what he did for a living. Because he hadn’t published a book when he should have, which would have been his ticket out of Benson College, and the possibility of a serious academic career. And now it was too late, because all anyone cared about was theory. No one read books and got excited about them anymore; they argued that transparent plots were murkily opaque and incomprehensible, they projected political interpretations onto literature, then decried the offensive political implications. The day before, while he was getting a drink of water, Susan Campbell-Magawa had tucked a pamphlet in his back pocket—hey: what if he cried sexual harassment?—announcing a conference she knew he wouldn’t want to attend: Natty Bumppo and the Postmodern Predicament. Susan Campbell-Magawa and her husband would be renting a Rent-A-Wreck to drive through Southern California in order to go to an air-conditioned conference room in a windowless building, to express outrage, with other academics, concerning the improper politics and convoluted neoconservatism of a fictional character named Natty Bumppo. Mr. Magawa did not live in New Hampshire. He lived in Ann Arbor, where he had a job at the University of Michigan. Heand his wife commuted: one weekend a month he would fly to New Hampshire; one weekend she would fly to Michigan. With their frequent-flier miles, they vacationed every summer on Maui, where this year, no doubt, they would continue their discussion of Natty Bumppo while walking the beach with leis around their necks, and eating suckling pig, as Susan Campbell-Magawa continued to try to conceive a child. He knew this because Susan Campbell-Magawa, who had no use for him, was fond of Sonja. They had talked in September, at the welcoming party for new faculty. Mr. Magawa, who applied every year for a job at Benson and who was inevitably rejected because he was overqualified, was not in attendance. One year, he had distinguished himself by fainting while talking to President Llewellyn and later sending a note of apology, saying that his hectic life of commuting had recently begun to cause his physical collapse. Behind Susan Campbell-Magawa’s back, Jack McCallum and Darren Luftquist had worked up howlingly funny imitations of her husband passing out. The idea was to enact this as soon as possible after Susan Campbell-Magawa left the room, to try to make whoever remained in the room laugh, which usually meant that she would return to see if they were laughing at her. Once, Jack McCallum had almost been caught. From the floor, he had pretended to be tying his tennis shoe, and Dr. Gerold Ziller (as he always signed his memos) had appeared peculiarly cruel, to be laughing so hard at a man down on one knee, having trouble tying a shoelace, as Susan Campbell-Magawa reappeared and stood frowning in the doorway.
When Marshall first got the job, he had worked harder and been more collegial. But his real friends had moved on, publishing books that got them better jobs, or dropping out of teaching and going to business school, and as far as he was concerned, the serious study of literature had gone out the window when the theorists marched in.