crazy life they must lead. He wonders what it must be like to live in a place where Christ is in every doorway—well, maybe not
every
doorway, but he's sure it must seem that way. In American terms, it must be like living in the Bible Belt— with Christmas all year round.
Danny has these thoughts, but he doesn't share them. He can see that Elijah isn't in a similar space. Instead, he is sitting (shoelaces untied) in the sunniest corner of the plaza, watching a little redheaded girl in pink plastic sunglasses as she charges an unsuspecting flock of pigeons. There is a flash-flutter of wings—Elijah hunches over as the birds throw themselves skyward and fly thoughtlessly over the bench where he sits.
There is a small Judaica store open off the square. Danny walks to the window, but he doesn't go inside. Instead, he looks at the stained-glass kiddush cups and the tiny scrolls of the translucent mezuzot. Women from the synagogue tour step inside the store and touch the cases reverently. Danny turns away. He wants to go inside, but he doesn't want to go inside. It's his place, but it's not his place. Elijah is walking over now, and Danny allows this to be a cue to leave.
They walk for some time without speaking. But this is a different non-speaking than it was before. Danny is still deep in his thoughts, and Elijah is letting him stay there.
Finally, Danny speaks, and what he says is, “It's incredible, really.” Then he stops and points back to the synagogue and says he can't imagine. He just can't imagine. Elijah listens as Danny wonders how such things can happen, what lesson could possibly be learned.
“I don't know,” Elijah says. He thinks of their parents, and how they'd be glad that their sons were here, thinking about it.
“All this history …,” Danny says, then trails off. Lost in it. Feeling it connect. Realizing the weight of the world comes largely from its past.
Although it is such a singular word, there are many variations of
alone.
There is the alone of an empty beach at twilight. There is the alone of an empty hotel room. There is the alone of being caught in a throng of people. There is the alone of missing a particular person. And there is the alone of being with a particular person and realizing you are still alone.
Elijah parts with Danny in St. Mark's Square and is at first disoriented. The courtyard is filled with thousands of people, speaking what seem to be thousands of languages. People are moving in such an everywhere direction that there is simply nowhere to go without firm resolution. Elijah's first instinct is to steal a quiet corner, to purchase a postcard from a hundred-lire stall and write to Cal about all the people and the birds and the way tourists stop to check their watches every time the bell tolls. He would sign the postcard
Wish you were here
, and he would mean it—because that would be his big threepenny wishingwell birthday-candle wish, if one were granted by a passerby. Cal would make him smile, and Cal would make him laugh, and Cal would take his hand so they could waltz where there was no space to waltz and run where there was no room to run. He thinks about her all the time.
Elijah finds a postcard and sits down to write, drawing a picture of the basilica above Cal's address. Then he files the postcard in his pocket for future delivery and wonders what to do. The alleys leave little room to think. So Elijah makes a decision not to decide. He steps into the crowd and gives in.
It is Elijah's rare talent—a talent he doesn't realize—to besurrounded by strangers and not feel alone. As soon as he steps into the rush of people, he is engaged. He is amazed through the power of watching, bewitched by the searching. As he is led from St. Mark's to the walk beside the canal, he scans the crowd for beautiful people he will never know. He smiles as large groups struggle to stay together. Young children swoop beside his legs as old men lazily push strollers. Vendors sell