Tags:
Fiction,
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Psychological,
Psychological fiction,
Romance,
Mystery & Detective,
Mystery Fiction,
Serial Murderers,
Serial Murders,
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Minneapolis (Minn.)
psychologically profound as displaced guilt. The feeling was just a part of him. He supposed he should have welcomed it as some proof of his humanity. After all the bodies he’d seen, he had yet to become totally hardened.
Then again, he might have been better off if he had.
For the first time, he opened the folder Walsh had given him and looked at the photographs someone had had the foresight to slip into plastic protectors. The tableau presented might have made the average person recoil. Portable halogen lights had been set up near the body to illuminate both the night and the corpse, giving the photo a weirdly artistic quality. As did the charring of the flesh, and the melted fabric of the woman’s clothing. Color against the absence of color; the fanciful vibrance of a triangle of undamaged red skirt against the grim reality of its wearer’s violent death.
“Were the others wearing clothes?”
“I don’t know.”
“I’ll want to see those photos too. I’ll want to see everything they’ve got. You have my list?”
“I faxed a copy to the homicide detectives. They’ll try to have it all together for the task force meeting. Hell of a sight, isn’t it?” Walsh nodded to the photograph. “Enough to put a person off barbecue.”
Quinn made no comment as he further studied the photo. Because of the heat of the fire, the muscles and tendons of the limbs had contracted, pulling the victim’s arms and legs into what was technically known as a pugilistic attitude—a position that suggested animation. A suggestion made macabre by the absence of the head.
Surreal, he thought. His brain wanted to believe he was looking at a discarded mannequin, something that had been dragged too late out of the incinerator at Macy’s. But he knew what he was looking at had been flesh and bone, not plastic, and she had been alive and walking around three days earlier. She had eaten meals, listened to music, talked with friends, attended to the boring minutiae of the average life, never imagining that hers was nearly over.
The body had been positioned with the feet pointing toward downtown, which Quinn thought might have been more significant if the head had also been posed or buried nearby. One of the more infamous cases he had studied years before had included the decapitation of two victims. The killer, Ed Kemper, had buried the heads in the backyard of his family home, beneath his mother’s bedroom window. A sick private joke, Kemper had later admitted. His mother, who had emotionally abused him from boyhood, had “always wanted people to look up to her,” he’d said.
The head of this victim had not been found and the ground was too hard for the killer to have buried it here.
“There’re a lot of theories on why he’s burning them,” Walsh said. He bounced a little on the balls of his feet, trying unsuccessfully to keep the cold from knifing into his bones. “Some people think he’s just a copycat of the Wirth Park murders. Some people think it’s symbolism: Whores of the world burn in hell—that kind of thing. Some think he’s trying to obscure the forensic evidence and the victim’s identity at the same time.”
“Why leave the DL if he doesn’t want them identified?” Quinn said. “Now he takes this one’s head. That makes her pretty damn hard to recognize—he didn’t have to burn her up. And still he leaves the driver’s license.”
“So you think he’s trying to get rid of trace evidence?”
“Maybe. What’s he use for an accelerant?”
“Alcohol. Some kind of high-test vodka or something.”
“Then the fire is more likely part of his signature than it is part of his MO,” Quinn said. “He might be getting rid of trace evidence, but if that’s all he wanted, why wouldn’t he just use gasoline? It’s cheap. It’s easily had with little or no interaction with another person. He chooses alcohol for an emotional reason rather than a practical one. That makes it part of the ritual,
M. S. Parker, Cassie Wild
Robert Silverberg, Damien Broderick