you met a fat person yet who wasn't mean as a rat underneath it all?"
"There you go!" Calli laughed.
"Where do we go to fix the wound?" Brass asked Rydra.
She raised her brows questioningly.
"To get a first navigator," he explained.
"To the Morgue."
Ron frowned. Calli looked puzzled. The flashing bugs collared his neck, then spilled his chest again, scattering. "You know our first navigator's got to be a girl who will—"
"She will be," Rydra said.
They left the Discorporate Sector and took the monorail through the tortuous remains of Transport Town, then along the edge of the space-field. Blackness beyond the windows was flung with blue signal lights. Ships rose with a white flare, blued through distance, became bloody stars in the rusted air.
They joked for the first twenty minutes over the humming runners. The fluorescent ceiling dropped greenish light on their faces, in their laps. One by one, the Customs Officer watched them go silent while the side-to-side inertia became a headlong drive. He had not spoken at all, still trying to regain her face, her words, her shape. But it stayed away, frustrating as the imperative comment that leaves your mind as speech begins, and the mouth is left empty, a lost reference to love.
When they stepped onto the open platform at Thule Station, warm wind flushed from the east. The clouds had shattered under an ivory moon. Gravel and granite silvered the broken edges. Behind was the city's red mist. Before, on broken night, rose the black Morgue.
They went down the steps and walked quietly through the stone park. The garden of water and rock was eerie in the dark. Nothing grew here.
At the door slabbed metal without external light blotted the darkness. "How do you get in?" the Officer asked, as they climbed the shallow steps.
Rydra lifted the Captain's pendant from her neck and placed it against a small disk. Something hummed, and light divided the entrance as the doors slid back. Rydra stepped through, the rest followed.
Calli stared at the metallic vaults overhead. "You know there's enough transport meat deep-frozen in this place to service a hundred stars and all their planets."
"And Customs people too," said the Officer.
"Does anybody ever bother to call back a Customs who decided to take a rest?" Ron asked with candid ingenuousness.
"Don't know what for," said Calli.
"Occasionally it's been known to happen," responded the Officer dryly.
"More rarely than with Transport," Rydra said.
“As of yet, the Customs work involved in getting ships from star to star is a science. The transport work maneuvering through hyperstasis levels is still an art. In a hundred years they may both be sciences. Fine. But today a person who learns the rules of art well is a little rarer than the person who learns the rules of science. Also, there's a tradition involved. Transport people are used to dying and getting called back, working with dead men or live. This is still a little hard for Customs to take. Over here to the Suicides."
They left the main lobby for the labeled corridor that sloped up through the storage chamber. It emptied them onto a platform in an indirectly lighted room, racked up its hundred-foot height with glass cases; catwalked and laddered like a spider's den. In the coffins, dark shapes were rigid beneath frost shot glass.
"What I don't understand about this whole business," the Officer whispered, "is the calling back. Can anybody who dies be made corporate again? You're right. Captain Wong, in Customs it's almost impolite to talk about things like . . . this."
"Any suicide who discorporates through regular Morgue channels can be called back. But a violent death where the Morgue just retrieves the body afterwards, or the run of the mill senile ending that most of us hit at a hundred and fifty or so, then you're dead forever; although there, if you pass through regular channels, your brain pattern is recorded and your thinking ability can be tapped if anyone wants