hasnât a worry in the world. Meanwhile, Cynthia and I cling to our shallowness, hoping Jonah will remain attractive, hoping too that his attractiveness will be his ace in the hole, one thing he will never have to worry about. âThe world is unfair,â Park writes in The Siege âand in a pretty child the world will overlook a great deal.â
JONAH TOLD HIS FIRST joke soon after he was born. Jokes are narratives in a nutshell, little bits of truth. They are uncomplicated. But even the dumbest ones, when they work, maintain their own internal logic. They are the purest form of storytelling: premise and punchline. You get it or you donât.
Jonah was lying on his back on his changing table when he sneezed. It shook his tiny body and left him startled by this new possibility. I looked down at him and immediately cracked up. After a few moments, I was laughing hard enough to attract Cynthiaâs attention.
âWhat is it?â she called from the other room.
âCome, quick,â I said. We were new, first-time parents. It wasnât unusual for the other person to drop whatever they were doingâfalling asleep, finishing a book, taking a shower, sitting on the toiletâand come running, invariably with a video camera.
âWhat?â Cynthia said, out of breath. âIs something wrong?â
âThere. Look there,â I said, pointing to a tiny trace of mucus on Jonahâs forehead.
âThatâs disgusting,â Cynthia said, reaching for a tissue.
âWait, youâre missing the point. Think about it: it came out of his nose and virtually did a one-eighty. Itâs a miracle of aerodynamics, at the very least. Better yet, itâs a stunt, a prank.â
âItâs a booger,â she said, wiping Jonahâs forehead and leaving the room, shaking her head and rolling her eyes. In our relatively short time together, I was responsible for her having learned to do both simultaneously.
âYou donât get it. Itâs his first sight gag. Heâs a natural. And,â I said, leaning down to whisper the first rule of comedy in my sonâs ear, âitâs funny, Jonesy, because itâs true.â
THREE
Bad Day
Has it made you a better father?
The question is put to me by a local CBC radio producer and it catches me off-guard, though I know itâs something I should have considered by now. This is a pre-interview. Itâs the job of the young woman on the phone to help me figure out what I might say in advance of my live interview the following morning. Iâve been booked on this program because Iâve written a short personal essay about Jonah and me and autism. That would be the âitâ sheâs referring to. In a way, Iâve been anticipating answering this question, aloud, in public, for a while. Iâve certainly had plenty of time to think about it and figure out what it presupposes. Now, hereâs my chance.
âSure,â I tell the friendly stranger on the other end of the phone, âit can be tough. But an experience like this teaches you what youâre capable of. Iâve heard people, other parents, I mean, say that theyâre grateful for what theyâve come to see as an opportunity. I donât know if Iâd go that far, but life gives you lemons and, well, you know.â
Evidently, the proof of how well Iâve adjusted to this out-of-the-blue circumstance is in the fact that I have written about Jonah in the first place. No need to mention that it has taken me years or that itâs only twelve hundred words. What matters is youâve done it, sweetheart. Youâve told part of our story anyway. After the essay first appeared in a local magazine, I also received several supportive emails from acquaintances as well as a few phone calls from other parents of kids with autism. This essay, its hard-earned existence, is an indication of how someone like me, like any one of us,
S. Ravynheart, S.A. Archer
Stephen G. Michaud, Roy Hazelwood