“Evelyne’s stage of denial.” Since my father’s death my mother has grown closer to her sister Margery, who provides her with slogans such as “God doesn’t close one door without opening another,” “One day at a time,” and, my mother’s favorite, “You’re only as sick as your secrets.”
I feel sick.
I’m cleaning the refrigerator in the basement apartment when I find two squirrel tails in the crisper and another one, attached to the genuine article, wrapped in newspaper in the freezer. The squirrel looks pathetically eager, its paws frozen beside its terrible, crowded mouth.
“Oh, that Nick Papanides was one sick customer,” my mother says, referring to the former tenant. “He and I were standing in the backyard one day last month when Popeye dragged home a squirrel, the way he’ll do sometimes — it wasn’t quite dead yet. It was putting up a fight but you could tell this one wasn’t going to climb any more trees. It was pitiful. We’re standing there when Nick asks, 'May I?' So I said, 'Hell, it’s a free country — knock yourself out.' Then he throws a towel over the damned thing, stomps on it a few times, and carries it into the apartment. He used to cook them with eggplant,” she says. “I can’t say I’m too sorry to see him go. You couldn’t pay me to eat a goddamned squirrel it’s nothing but a rat with long fingernails and a pretty tail.” She pauses to scratch at her ankle with the rough side of a sponge. “There’s a type that rents basement apartments,” she says. “They need a low ceiling to match their self-esteem. You couldn’t pay me to live with pipes eight inches over my head. We should try renting out the attic —get some cheerful people around here for a change.”
I thought Nick was cheerful enough. He was no Shirley Temple but neither was he the despondent mole my mother would have me believe. Before he moved away, Nick and I would lie upon his big water bed, naked, listening to my mother’s voice and footsteps as she paced back and forth with the telephone.
“She is laying each of her cards upon a table tonight,” Nick would say.
It killed me, the way he put a phrase together. Instead of “off the deep end,” he’d say “into the part where the water is more high than your head.”
One way or another you find things out about people. After a tenant leaves, we always find something, objects hidden and for-gotten about or just left behind. We’ve found bottles of pills and birthday cards, cassette tapes and jewelry and pictures drawn on the backs of playing cards. We use these things to put together a better idea of the people we thought we knew.
Tom Dodges, for example, left behind two ink-stained bras, a mason jar of gasoline, a book on ventriloquism, and a pillow-case stuffed with dog hair. Tom Dodges, a grown man! He moved out to attend a technical college and was replaced by a loud, chumpy dope my mother and I refer to as “The Sportsman.” The Sportsman worked as a printer and presented me with dozens of single-sheet calendars picturing naked women leaning against motorcycles or bent over the hoods of troubled cars: women holding tools as if they were trophies they had won for being pert and shameless.
“Add this to your collection,” he would whisper. After a while I stopped opening them.
The Sportsman was clinically obsessed with any game involving a ball. Any round object that moved along the ground or through the air; smacked with a bat or club, kicked, dribbled, passed by hand or prodded with a cue, mallet, or paddle — it commanded his full attention. He followed all games, either on television or radio, the volume so loud that it could be heard all the way down the street. It was his habit to coach the players from wherever he happened to be. “Cahill, you shithead, what’s your problem? Jesus Christ, you couldn’t catch a fucking cold. Hand that uniform over to your mother, why don’t you, you faggoty piece of shit.”
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