Common Prayer in the face of Mary, Queen of Scots. âAnd I am alive,â he roared then, a blue vein beginning to assert its presence on his forehead. âIâm alive!â
Really, considering that we were only meeting again because I was preparing to bury my mother, I thought the whole performance was a little over the top.
Later, in the pub, Arthur told me that he didnât want to know anything about what had happened to me during my years abroad. He asked me not to speak about the friends I had made, the experiences that had changed me or any love affairs that I might have enjoyed. He didnât even want to hear about my cows and I have many interesting stories to tell about them if people are only prepared to listen.
âAs an artist,â he explained, âas a creative person, I prefer to rely on my imagination. I have memories of the boy you once were, Mulligan, and ideas about the man you might have become. Letâs not spoil the narrative by drizzling reality over it.â
âWhy do you keep calling me by my surname?â I asked. âWhy donât you call me Pierce?â
âIâve always hated that name,â said Arthur. âEven when we were children, foraging for adventure like truffling pigs in the woods, comparing penis sizes in darkened gladesââ
âThat never happened,â I said.
âEven then I didnât like the name Pierce,â he continued, ignoring me. âThereâs something so unbearably common about it. No, I think Mulligan is a far better name. You donât meet many Mulligans any more.â
âWell, I donât want you calling me that,â I said.
âFine, then I shall call you Darling.â
âNo, that wonât work either.â
âItâs either Mulligan or Darling, darling. You decide. Now would you mind if I swapped seats with you? I prefer to keep my back to the room.â
âWhy?â I asked, standing up and moving around to his side of the table.
âThe punters, darling,â he said. âEveryone is trying not to look at me but in doing so theyâre making me feel very self-conscious. If I have my back to them, perhaps theyâll stop not-staring.â
âI really donât think anyone recognizes you,â I said, looking around at the bar, which was defined by its overwhelming indifference to our presence. Three young men, likely strangers to literature, were watching a football match on the television, their tabletop littered with glasses and empty crisp packets. A few old men were seated silently at the bar, contemplating the ruins of their lives. A woman was typing on a MacBook Air while drinking gin after gin after gin.
âYou have no idea what itâs like to be watched all the time, darling,â said Arthur. âItâs a wonder Iâm not a recluse in some luxury hotel suite.â
âCan you stop calling me darling, please?â
âOf course, Mulligan. You see, one doesnât write for fame or glory but sometimes thatâs what happens. Consider a packhorse wandering into an untilled field and â¦â He stopped and reconsidered the beginnings of his analogy before shaking his head. âNo, forget that,â he said. âIt wonât work. By the way, did you read what Robertson wrote about Clive?â
âYes,â I said. (Naturally, I hadnât; nor did I have any idea who either Robertson or Clive were. Nor did I care.) âLetâs not talk about it. Look, the reason I came to your readingââ
âDid you enjoy it?â
âIt was fine.â
âJust fine?â
âIt was very good.â
âWhat was wrong with it?â
âNothing was wrong with it. The audience seemed to enjoy it.â
âYou were part of the audience.â
âWell yes,â I admitted. âIn a manner of speaking.â
âYou were sitting among them.â
âBut you invited