barren trees and green pines and wooden fences and open fields full of crows. But we were up higher now, and the sky was bigger. Even the clouds were bigger.
âIâd be inclined to paint this, if I had my tools,â Luke said, taking a bite of his cheese and apple sandwich.
Weâd stopped to have lunch, and were eating standing up because it was too cold to sit on the ground. Luke was facing a little clearing in the trees. There was an old brown barn in the shape of one of the Citizenâs vintage art deco clocksâsquare on the bottom, dome-shaped above. It stood gazing out at us as we gazed at it, the mountains rising blue in the background.
There hadnât been room in Neelyâs car for paints and canvases. And I think my brother was missing it, the painting, like how I was already missing my distracted parents, and Jack, and my closet full of Freddieâs old clothes, and just about everything I was used to. Being away from home was an eerie thing, thick and powerful and overwhelming. It was energizing to see new places and people, your brain on fire, your heart stirred up. But it was also kind of . . . sad too.
Iâd been itching to leave Echo and now that I was on the road, I felt an itchy need to get back home again, damn it. There was no satisfying me.
âYou know what this scene needs?â Sunshine stepped in front of the barn, swung her brown hair under her blue hat, and struck a curvy, sultry pose, one palm spread open on her hip. She batted her sleepy eyes at Luke. âMe. Thatâs what.â
Luke laughed. âIâve already promised to do your portrait when we get back home. How much of my art do you plan to take over?â
Sunshine shrugged, and then turned to me. âA nude,â she said, smiling. âIâm going to make him hang it in the Citizenâs art gallery ballroom, right next to all those naked paintings of Freddie.â
I looked from Sunshine, to my brother, and back again. Then I tilted my head back, clenched my fists, very, very dramatic, and screamed.
âNoooooooo.â
My voice echoed off the silent mountains and came back to me, and Neely started laughing. I pointed at my brother. âIf you paint our next-door neighbor in the nude, then you damn well better hide it under your bed, because if I have to look at it Iâll kill someone. Probably you.â
âIâd love to see that,â Neely said, his arms crossed, his back leaning against his now very dirty car.
âSunshineâs nude painting or me killing someone?â I asked.
âBoth,â Neely said, and then he was laughing that laugh again, his eyes crinkling up with it, and the next thing I knew I was laughing along with him.
Luke tossed an apple core over the fence, into the snow, short and quick and cocky-like. âYouâre such a prude, Vi.â
Sunshine nodded. âItâs true, Vi. Itâs always been true.â
I opened my mouth. Closed it. Opened it again. âWould a prude do what I did with River? Would she? Even after he suicided Jackâs Pa, even after all of it? Would she have let him do what he almost did?â And then I shut my mouth again, seeing the looks on their faces.
Especially Neelyâs.
His eyes had changed. Theyâd been happy and amused half a second ago. And now they were hot and dark and fiery.
âYou were under his glow, Vi,â he said, the blush spilling off his face and spreading down his neck like it did sometimes right before he let his fists start swinging. âThat wasnât your fault.â
âWasnât it?â I asked, but my voice barely rose above the cold breeze blowing down the mountains.
Wasnât it, River?
âââ
We found Innâs End just as the sun started sinking into the horizon. We pulled over no less than eight times, asking farmers and postmen and kids playing in the snow for directions. It wasnât on the maps, just as