female librarians like Gertrude would be shoved out of their jobs, all because Anna dared to ask the navy to correct that old report.
Later that evening, Mrs. Horton sighed as she peeled the sheets back from her bed. âThat woman is fooling herself if she thinks âbust foodâ is going to land her a husband.â
âMary-Margaret?â
Mrs. Horton nodded. âA bit of human decency goes a lot further,â she said as she sank onto the mattress.
It was too early to sleep, so Anna propped herself up against the headboard, wiggling to find a comfortable spot on the lumpy mattress. Their room was humble, with a single window and a dressing table between two narrow beds.
Lieutenant Rowlandâs sneering words kept prodding at the back of her mind. âThe problem with the Culpeper was that it was stuffed with scientists and bookworms instead of real sailors.â
Her father had been a cartographer, but heâd been a good sailor as well. The box of letters beneath Annaâs bed proved the strength of her fatherâs commitment to the navy. Even better than her fatherâs letters were his sketches. Heâd been a fine artist and had sketched charcoal pictures of Anna playing atwhatever exotic ports of call the Culpeper visited. He drew fanciful pictures of Anna swinging from a coconut tree, swimming in the surf with a dolphin, or climbing on the rigging of the Culpeper . The sketches gave her a glimpse into her fatherâs daring life as he was traveling the world.
It was Friday evening, and there was no need for her to rise early the following morning. âDo you mind if I read?â she asked Mrs. Horton.
The older lady smiled gently as she reached for her sleeping mask. After sharing a room together for so long, theyâd developed a routine. All Mrs. Horton cared about was tidiness and quiet, and Anna could provide both. So long as she had access to enough light to read, Anna could entertain herself for years. Anna twisted the dial on the kerosene lamp to brighten the room.
Thoughts of the Culpeper had been nagging her all day, and she had a craving to revisit her fatherâs old letters. It had been years since sheâd read them. She sneezed from the dust when she dragged the box from its hiding place beneath her bed.
Sitting on the floor, her back against the bed frame, she began skimming the letters. Most were brief, written in simple language a child could understand. Aside from the whimsical sketches, her fatherâs letters were very ordinary, usually consisting of gentle admonitions to study hard and behave for Aunt Ruth.
All except his last letter. She pulled the final letter from the stack. It had been posted only a week before the Culpeper disappeared and was different from all the others. Anna unfolded it, and for the first time in her life she read her fatherâs last letter with adult eyes.
With each line she read, the constriction in her chest grew tighter. Something was very wrong with this letter.
As an expert cartographer, her father had been meticulous; his attention to detail was flawless. But it seemed that each lineof this letter contained contradictory information. She read it over and over, her confusion growing as the implications sank in. Her father was trying to tell her something with this letter, but he was careful to disguise his words and she couldnât make sense of what he was trying to say.
One thing was certain, though. The Culpeper did not sink in that hurricane, and this letter could prove it.
4
T he following morning, Anna was still mulling over her fatherâs confusing letter. She needed help putting this puzzle together and knew exactly to whom she could turn. Neville Bernhard had been Annaâs best friend since childhood, and he would help her now.
The seafaring neighborhood of Alexandria, tucked just outside of Washington, wasnât the easiest place for quiet, introverted children, which guaranteed both
Ken Brosky, Isabella Fontaine, Dagny Holt, Chris Smith, Lioudmila Perry