here, and thereâs definitely no Queen.â
âThe money,â pants Niner. âShe wants the money!â
Cosmos puts his hand on Ninerâs forehead.
âYouâre burning up, man! Youâve got a fever!â
Niner is shaking. His teeth are chattering.
âIâm freezing,â he moans.
Cosmos grows frightened. I knew it, he thinks. Now heâs sick, on top of everything. Pure bad luck, the balance artist! What am I supposed to do with him now?
He feels around in the dark for the water bottle.
âHere, drink.â
Then Cosmos looks for the candle and the matches.
The faint light paints flickering shadows on the walls.
But the feathers are gone, and the feather Queen too, and nothing else streams forth from the corners.
Cosmos sits down on Ninerâs bed, wipes his brow, holds
Ninerâs hot hand in his, and at some point the two fall asleep again as the candle slowly burns down.
Â
MORNING COMES AND THE fever is gone, along with the moon, the stars, and all the shadows and darkness.
Niner is worn out and he still has a cough, but his fever seems to have subsided.
âMan, little buddy,â says Cosmos, âyou really gave me a scare there.â
Niner attempts a grin.
Heâs so pale, thinks Cosmos. So pale and small and sick.
âHey man, todayâs the day,â says Niner. âToday we get on the road!â
âBut if youâre sick. . . . Dâyou think you can do it?â
âIf you want something bad enough, you just go for it,â says Niner, coughing.
And Cosmos responds, âMan, Niner, think about it. The seaâs not going anywhere!â
âThe sea isnât,â Niner answers. âBut you just might!â
Â
AND THEN THE BIG trip really does begin, although Cosmos is against it because Niner keeps coughing. So they go slowly and stop to rest often.
The big trip to the sea really does begin. Down the gravel
path and past the slaughterhouse, where the animals squeal and it stinks of blood and piss. Through the old city toward the new, along the street lined with the guardian angel posters, and past the neon signs. Through the quiet streets of the suburbs, past the high hedgerows, past the wrought-iron gates, behind which lie the white mansions with the red-eyed alarm systems above the terraces.
Although they have to walk slowly and take many long rests, Cosmos and Niner make progress.
Cosmos walks in front because he knows the way. Or at least he says he does.
âAll rivers flow into the sea,â says Cosmos. âYou just have to follow them long enough. You remember that,â says Cosmos.
Niner trots after him, stopping only to cough. Then he resumes the journey only to stop and cough again.
The coughing is far more strenuous than the walking.
When Niner coughs, little red fireworks explode in his head and make him dizzy.
But he doesnât tell Cosmos about it. He doesnât say much at all. He tries to think of the sea, of the big blue sea. But no matter how hard he tries, he canât really see it, not like he did the day before yesterday, by the river. A shadow has come
between him and the sea, and Niner can tell that this day isnât going to be a good one.
He canât stop thinking about Mama. He wonders how sheâs doing and where she might be.
Perhaps sheâs well again.
Perhaps the window is open again at night.
Perhaps Mamaâs waiting at home for Niner.
Perhaps the new guy has left at last, gone away for good.
No, this isnât going to be one of the good days. Niner can tell for sure.
No Mama. No guardian angel. No blue sea. The only thing he sees are the little red explosions in his head when he coughs.
Cosmos climbs down the embankment.
Near the retaining wall lies the blackened remains of the driftwood fire.
Niner can barely keep up. His brow is covered with sweat and his knees seem to be made of jello.
âYou all right?â asks
Reggie Alexander, Kasi Alexander