Billy Lynn's Long Halftime Walk by Ben Fountain Read Free Book Online Page A

and it was just, so, obvious, what had to be done, a mental tic of a mantra that became second nature as the war dragged on. Why don’t they just . . . Send in more troops. Make the troops fight harder. Pile on the armor and go in blazing, full-frontal smackdown and no prisoners. And by the way, shouldn’t the Iraqis be thanking us? Somebody needs to tell them that, would you tell them that, please? Or maybe they’d like their dictator back. Failing that, drop bombs. More and bigger bombs. Show these persons the wrath of God and pound them into compliance, and if that doesn’t work then bring out the nukes and take it all the way down, wipe it clean, reload with fresh hearts and minds, a nuclear slum clearance of the country’s soul.
    Americans fight the war daily in their strenuous inner lives. Billy knows because here at the contact point he feels the passion every day. Often it’s in their literal touch, a jolt arcing across as they shake hands, a zap of pent-up warrior heat. For so many of them, this is the Moment: His ordeal becomes theirs and vice versa, some sort of mystical transference takes place and it’s just too much for most of them, judging from the way they choke in the clutch. They stammer, gulp, brainfart, and babble, gum up all the things they want to say or never had the words to say them in the first place, so they default to old habits. They want autographs. They want cell phone snaps. They say thank you over and over and with growing fervor, they know they’re being good when they thank the troops and their eyes shimmer with love for themselves and this tangible proof of their goodness. One woman bursts into tears, so shattering is her gratitude. Another asks if we are winning, and Billy says we’re working hard. “You and your brother soldiers are preparing the way,” one man murmurs, and Billy knows better than to ask the way to what. The next man points to, almost touches, Billy’s Silver Star. “That’s some serious hardware you got,” he says gruffly, projecting a flinty, man-of-the-world affection. “Thanks,” Billy says, although that never seems quite the right response. “I read the article in Time, ” the man continues, and now he does touch the medal, which seems nearly as lewd as if he’d reached down and stroked Billy’s balls. “Be proud,” the man tells him, “you earned this,” and Billy thinks without rancor, How do you know? Several days ago he was doing local TV and the blithering twit-savant of a TV newsperson just came out and asked: What was it like? Being shot at, shooting back. Killing people, almost getting killed yourself. Having friends and comrades die right before your eyes. Billy coughed up clots of nonsequential mumblings, but as he talked a second line dialed up in his head and a stranger started talking, whispering the truer words that Billy couldn’t speak. It was raw. It was some fucked-up shit. It was the blood and breath of the world’s worst abortion, baby Jesus shat out in squishy little turds.
    Billy did not seek the heroic deed, no. The deed came for him, and what he dreads like a cancer in his brain is that the deed will seek him out again. Just about the time he thinks he can’t be polite anymore the last of the well-wishers drift away, and Bravo takes their seats. Then Josh shows up and the first thing he says is, Where’s Major McLaurin?
    Dime is casual. “Oh, he said something about needing to take his meds.”
    “His meh—” Josh begins, but catches himself. “You guuuuyyyyyzzzzzz.” The very picture of young corporate America on the move, is Josh. He is tall, toned, handsome as a J.Crew model, with a nose straight and fine as a compass needle and a brilliant shock of glossy black hair, the sight of which triggers subliminal itchings in the Bravos’ peach-fuzz scalps. It has already been a matter of some debate as to whether Josh is gay, the consensus being no, he’s just your basic corporate pussy boy. “He’s