compressing in disapproval.
“Jeez, Myra—” Marty began, but seeing his wife’s expression turn even cooler, he quickly changed the subject. “This is a good house,” he declared, reaching out to gently touch the oak of the mantel, much as Joni Fletcher had earlier. “And a hell of a price.”
For a moment Myra seemed about to complain about her husband’s language yet again, but then decided there was a more pressing problem at hand. “But it’s still too much for us,” she reminded him.
“I told you, the price isn’t fixed,” Joni said, a little too quickly.
Myra eyed her sister suspiciously. “Why would that be? It’s already so far below anything else on the market . . .” Her voice trailed off as she tried to read her sister’s face, and realized it was the same expression she’d had when they were kids and there was something Joni didn’t want to tell their parents. “What is it, Joni?” she asked. “You might as well tell me what’s going on now—I can see by your face you’re going to have to do it sooner or later anyway.”
Joni Fletcher licked her lips nervously, then took a deep breath. “You’re right—I do have to tell you. It seems that—well, something happened here a few years ago, and—”
“What?” Myra interrupted. “The way you look, someone must have gotten killed, or—” Her voice died abruptly as she realized she’d come very close to the truth. “Holy Mary, Mother of God,” she whispered, her right hand quickly tracing the four points of the cross on herself. “What happened?”
Joni Fletcher bit her lower lip, searching for the right words, but knowing there really weren’t any. Still, there was no way she could legally avoid telling any prospective buyer what had happened in this house, and sooner or later they would hear it anyway. “It was actually quite some time ago,” she began, the fingers of her right hand toying nervously with the tab on the zipper of her shoulder bag. “One of those domestic things.”
Myra’s expression tightened. “ ‘One of those domestic things,’ ” she repeated. “I think you’re going to have to be a little clearer, Joni.”
Joni took a deep breath, and then her words came in a rush. “A man went crazy, Myra. No one really knows exactly what happened, but—well, apparently he killed his wife and daughter while they were asleep.”
Myra Sullivan gaped at her sister, the words stunning her into complete immobility. As their meaning slowly sank in, she turned to her daughter. But instead of looking as horrified as her mother felt, Angel was looking at her aunt as if waiting for the story to go on. It left Myra feeling disoriented, and as she looked once more around the living room of the house on Black Creek Road, she was certain that somehow—in the light of what she’d just heard—it would look different.
But it didn’t.
It looked exactly the same.
Yet how could it? After what had happened here, shouldn’t the house look like someplace a murder would have occurred?
Shouldn’t it reflect the horror that had taken place within its walls?
Then she thought: Why would it look any different? After all, it was just a house. Only in movies did they make places where terrible crimes had occurred look foreboding.
Stupid,
Myra told herself.
Just find out what happened, and don’t read anything into it.
In an unconscious imitation of her sister, she took a deep breath to steady her nerves. “Maybe you’d better tell us exactly what you do know about it,” she said. When Joni’s eyes flicked warningly toward Angel, Myra shook her head. “If we should happen to buy this place—which I seriously doubt—Angel’s going to be living here too. So I think she has a right to know what happened, at least if she wants to.” She smiled thinly at her daughter. “Do you want to hear, Angel? If you don’t want to, you certainly don’t have to. In fact,” she added, shuddering and glancing around the room one
Joseph K. Loughlin, Kate Clark Flora