compensation payment Iâve drawn for them.â
I feel in turn the muscles of my face range through naked surprise, perplexity and suspicion. Father really has gone mad. Where is Mr Drummond to back me up?
âThereâs reason here,â he holds up his hand again. âYouâve met the lad, and heâs not in a good way, in his spirits. I donât think heâd appreciate me turning up, one of the bosses, you know ⦠no, you donât know, and thatâs the point ⦠But you, in your blessed innocence, wonât offend him or his mother as I might; you might soften the exchange, and at the same time see what it means.â
âWhat what means?â I ask, beside myself. I cannot imagine The Lad is very likely to think me a softening agent, but I canât gather my thoughts swiftly enough to express that right now.
âI know what it means to be poor, Francy, very, very poor; you donât. Iâve spent the last twenty years denying it. I have been blessed, in so many ways, with you, your mother ⦠and most times more money than I needed. I wouldnât take a minute of any of my good fortune back â nor any of my indulgences, wise and unwise. But Iâve climbed over the backs of others to have the means for it all, pretending all the while that Iâm only playing with the pennies and the rest has little to do with me, and you canât remove yourself from that kind of hypocrisy indefinitely. It comes back to bite those that leave themselves open to it, and Iâd rather you never get bitten.â
I have no idea what heâs talking about, and plead into his ramble: âBut what if they donât appreciate the bossâs daughter either?â
âWell, that will be worth your understanding too. Itâll be all right, Francy. Trust me. It might not make too much sense to you now, but it will, in time. I want the best for you, but having it, really having it, requires knowing the score. Iâll be plain: youâre too naive, too sheltered, and that makes you vulnerable; itâs also a waste on a girl as clever as you are. I never want you to know poverty, of course, but I want you to know what it means to work, and what it means to be good. To be decent. The things the sisters couldnât teach you, because they must be learned in themselves. Iâm afraid, on balance, Iâve not been a good example, my darling girl.â
His eyes moisten, and he hasnât even touched the port. He has that heartbroken look that makes me spring to his defence. âOf course youâre good! Silly thing. Youâre overtired, thatâs what you are,â I say, although what I really want to ask is what this is all about. But I donât and I wonât, because I know heâs going to change the subject as he always does when heâs said as much as heâs going to say.
âYou got some sun today,â He nods with the pipe, and winks. Sparkling at me.
I put my hand to my face. Itâs broiled. At least The Lad wonât be able to tell whether or not Iâm blushing when I make my preposterous errand tomorrow. This is too bizarre for contemplation. I go off to bed with Mr Drummondâs Oh whispering to me again, and a nagging expectation of failure. Father has, as he said, let me be, and letting me follow my own mind has apparently not been for the best thus far.
Â
DANIEL
Mimâs had another girl. Isobella. She already had that name pegged. She came before Mum even got there and for a second I want to ask Mum what time she came, to know if it was before or after. Like me and the other Daniel. But I donât believe in all that rubbish anyway and doubt that Dad would agree to come back as a girl. Mum tells me about Isobella down to the way her hair sticks up on her head and I know what she means. Weâve all got that hair, like Mumâs â dark and straight as paint bristles; you donât want to