dear
My vows shall ever true remain
Let me kiss off that falling tear
I never want to hurt you again
But if you tell, I will make
Lydia
A Susan, too
Tessie, 1995
After he leaves the office, my fingers brush
over three stubby charcoal crayons; the cool metal coil binding a drawing pad; a Dixie
cup of water; a few brushes, a narrow paint box with a squeaky hinge. The doctor has
repeated the order of the paint colors four times, left to right. Black, blue, red,
green, yellow, white.
As if what colors I choose will make a
significant difference. I am already thinking of swirling the colors to make purple and
gray, orange and aqua. The colors of bruises, and sunsets.
This is not the first time I have drawn
blind. Right after Mom died, Granddaddy was constantly trying to distract me from
grief.
We sat at his old cedar picnic table. He
punched a No. 2 pencil through the center of a paper plate, a de facto umbrella, so that
I could grasp the pencil but not watch my hand draw. “Making pictures in your head
is primal,” he said. “You don’t need your eyes to do it. Start with
the edges.”
I remember the faint blue flower border that
etched the paper plate, that my fingers were sticky with sweat and chocolate, but not
what I drew that day.
“Memories aren’t like
compost,” the doctor had said, as he guided me over to his desk. “They
don’t decay.”
I knew exactly what he wanted out of this
little exercise. Thepriority was not to cure my blindness. He wanted
to know why my ankle shattered into pieces, what implement etched the pink half-moon
that hung under my eye. He wanted me to draw
a face.
He didn’t say any of this, but I
knew.
“There’s infinite storage space
up here.” He tapped my head. “You simply have to dig into every
box.”
One more self-help bite from him before he
shut the door, and I would have screamed.
I can hear my father outside the door,
droning blurry words, like a dull pencil. Oscar has settled into the cave under the
desk, his head resting on my cast. Pressure, but nice pressure, like my mother’s
hand on my back. The doctor’s voice floats through the door. They are talking
about box scores, like the world is running along just fine.
My head is blank when the charcoal begins to
rub insistently against the paper.
The click of the door opening startles me,
and I jump, and Oscar jumps, and my pad slides and clunks to the floor. I have no idea
how much time has passed, which is new, because ever since I went blind, I can guess the
time of day within five minutes. Lydia attributes it to a primitive internal clock, like
the one that reminds hibernating animals to wake up in the black isolation of their
caves and venture back into the world.
I smell him, the same Tommy cologne that
Bobby always liberally sprays on himself at Dillard’s. My doctor wears Tommy
Hilfiger, sounds like Tommy Lee Jones. Everything Tommy.
“Just checking to see how it’s
going,” he says.
He is at my side, reaching down, picking up
the pad from the floor, placing it gently on the desk in front of me. My drawings,
except for the one on the pad, are ripped out and scattered across his desk. My head
pounds, and I press a finger into my right temple like there’s a pause button.
“May I?” he
asks, which is ridiculous because I’m certain his eyes are already greedily
scanning. He picks up a sheet, puts it down, picks up another.
The air is thick with the heat of his
disappointment; he’s a teacher with a second-rate student who he has hoped will
surprise him.
“It’s just the first
time,” he says. Awkward silence. “You didn’t use any paint.” A
hint of reproach?
He stiffens. Leans in closer, tickling my
shoulder, turning my pad, which was apparently upside down. “Who is
this?”
“I’m not done.”
“Tessie, who
is
this?”
I had scrubbed the charcoal against the page
until it