cellar. Charley cleaned the tools, drying them as he came back.
They stood before the furnace and listened to the sound of burning.
"We better take these off," Charley said.
Hart looked at Charley, wondering what he meant, and saw that he meant the pajamas. And Hart looked at Charley's pajamas, looked at the blood all over pale blue, then he looked at the pajamas he was wearing, and he saw the pale green background and the gashes of dark bright red.
Charley opened the furnace door, threw in the pale blue pajamas, then Hart stepped over in front of the door and as he threw in the pale green pajamas he caught sight of the paper packages burning in there with a glaring purple and white flame. Then he caught a whiff of the smoke and he shut the door quickly.
"All right," Charley said, "let's go up."
They went upstairs. Coming away from the heat of the furnace area their naked bodies came into a cold living room and a colder stairway, and they moved quickly. They went into the bathroom and although there was no blood on their hands they washed their hands anyway.
Finally Hart climbed back into the cot, propped the pillows to make himself comfortable, sucked smoke into his mouth, filled himself up with the smoke and let it seep out between his teeth. He wondered why he wasn't sick. He thought maybe he was beginning to get tough. He told himself it didn't really make any difference, because he didn't give a hang, but underneath he knew he did give a hang and it made a lot of difference and no matter what he kept telling himself he was really afraid of what was happening inside him.
Hart settled back against the pillow and brought up his arms, resting flat on his back and folding his hands behind his head. Across the room he saw the glow of a lighted cigarette and he knew it came from Charley and he tried to think of what was in Charley's mind right now. Then he closed his eyes and he tried to sleep.
He worked on it for an hour. He was going toward sleep, trying to dive into it, pulled back by something and then he tried to crawl toward it, pulled back by the same something that was mostly memory and hardly any planning. He was beginning to feel tired and he made one big try, throwing everything out of his mind except one big circle on which he tried to ride as it went around in the blackness under his eyelids. He managed to get on the circle and it took him around a few times and then threw him off with violence. He opened his eyes and sat up and he could hear the steady breathing of Charley and the heavy, distorted breathing of Rizzio. He wondered where Rizzio kept the cigarettes.
He left the cot, moved quietly across the room and pulled on the chocolate flannel trousers over the fresh pajamas. Then as he worked himself into the chocolate flannel jacket he was facing the window and he could see the black out there without any lights in it. He put on socks and started to put on shoes and changed his mind. Then he was going out of the room and closing the door delicately. Then he was going down the dark hall, so dark that at first he had to guide himself by the wall, then getting lighter because of a thin and vague glow that came from downstairs. And it was confusing, because he remembered Charley putting out all lights downstairs before they came upstairs.
He was going down the stairway. The light remained vague, and it wasn't doing much against the darkness, but he was coming closer to it and for a moment he had the unaccountable feeling that the light had drawn him out of the cot and out of the room. Halfway down the stairway he knew that he could see the source of the light if he turned his head, and he didn't know why he didn't want to turn his head. But he had to turn his head when he reached the foot of the stairs, and when he did he saw the light coming from a small lamp with a blue velvety shade, dark blue to give the light that odd vagueness. The lamp was on a small table and next to the table someone was sitting in a
Aj Harmon, Christopher Harmon