his forelock when asking one of the messux or the moneymen to move an illegally parked car? What?â
They were now in Morettiâs office. Liz Falla waited until he sat down and started to check his messages, the familiar pattern when they were not in the middle of an investigation and had anything immediate to discuss. She would have no problem guessing when he got to Chief Officer Hanleyâs message, so she pulled out a chair on the other side of the desk and watched his face.
Her Guvnor was looking rested, with a light tan, his usually sombre features more relaxed. The dark hair inherited from his Italian father was touched with grey, and there were lines around his eyes that showed even when he was not laughing. No longer laugh-lines , she thought, but he wasnât much given to idle banter, which was probably why she hadnât noticed them before. Gorgeous, Elodie had called him. Not her type, which was just as well. Too much going on beneath the surface . At one point he looked across the table at her and nodded.
âDr. Edwards. Competent, like you said.â
Then his expression changed. A series of emotions flitted across his face in rapid succession, moving from disbelief to laughter. Moretti switched off the machine and looked across the desk at Liz.
âHas Hanley developed a misplaced sense of humour, or has he lost his marbles?â
Liz replied, taking her voice down an octave. âThis is serious stuff, Guv. We have been asked to investigate a report of a threat from a vampire, from the mouth of the undead himself.â
âWho is this vampire? Does he exist? Or can you even say that about vampires?â
âOh, he exists. I met him last night, as a matter of fact. Iâll get us both a coffee and fill you in, shall I?â
âLetâs start with the vampire and get him out of the way. You met him last night, Falla?â
âHugo Shawcross. Bit of a coincidence here â I know youâre not fond of coincidences â but heâs rented a place near my godmother, and I dropped over to see if sheâd met him, knew anything about him.â
Swiftly, succinctly, Liz filled Moretti in on the details she considered relevant to Marie Gastineauâs complaint: the play, the Island Players, the threat. Moretti listened without interrupting her, but his expression made his feelings quite clear.
â⦠and I feel myself, Guv, itâs all a storm in a theatrical teacup. Volatile lot, these theatre people.â
âWorse than musicians? Okay, donât answer that. Iâll tell Hanley that weâve looked into it, and â well, what you just said.â Moretti finished his coffee with his usual grimace. âTerrible as ever, and yet I go on drinking it. Anything else before we move on to the hermit?â
âOnly this.â Falla told him about her conversation with Marla Gastineau in the Beau Sejour change room.
âSo the girl is getting poison-pen letters â or the twenty-first century equivalent? You tell me sheâs a looker? Par for the course, surely. Lot of that going on in the social media, right?â
âRight.â
âTell me about the hermit.â
âWhat did Dr. Edwards say?â
âYou first. Not the gist, like your account about Hugo the undead. Everything, Falla. Everything.â
âPoor old bugger! Just as I was bringing him one of his magazines, one of his favourites. Archaeology Today . I was expecting our usual little joke about the title. âBoring,â Iâd say and heâd say, âNot a seller. Iâm their only subscriber.â Which, of course, he wasnât. Then weâd laugh. Poor old bugger!â
âYouâre Gordon Martel, arenât you?â
âGord, yes. I know your dad.â
Liz Falla and the shaken postman stood outside the hermitâs house, watching the SOC people going about their business, shrouded in their white overalls. Jimmy
Pittacus Lore, James Frey, Jobie Hughes