King-size bed faces a big-screen television, reading material on both side tables, an ashtray on the left side, a Martha Stewart magazine on the right. Leoâs linen is perfectly sorted and aligned in the dresser drawers. I can sense Raquelâs careful attention to detail. And something more. She smoothed these stacks of laundry with her hands before she closed the drawer. I can feel it.
The policeman lets me stare into the living room for a few seconds before he gets twitchy about my presence. The French doors are smashed. Possible point of entry. But from where? The floor below? Iâll need to get out on the terrace to see if itâs possible, but that isnât going to happen on this trip.
âSorry, sir. The Crime Scene Unit will be up here pretty soon. They want everything the way they left it.â
âSure, I understand,â I say.
Dark sky, no sunrise, rain starting to fall. The air is unnaturally warm and humid. Leo stares through the windshield, doesnât say a word, his mood as dreary as the clouds moving in across the water. When he gets out of the car I give him my arm. He has no strength this morning.
âDid you get anything to eat, sir?â
âMy stomachâs in a knot,â he says.
That makes two of us.
Mooney and Pazzano tag-team the interviewing sessions, me in one room and Leo in another. Pazzano drops in to start things off.
âHow long you been working for Leo Alexander?â
âEight years.â
Heâs shorter than I am, broad in the shoulders, heavy-browed. He shuffles around the room restlessly. I get the feeling he wants to show me he can take care of himself. âHowâd he come to hire you?â he asks.
âI was available.â
âAs his full-time bodyguard?â
âSupposed to be for a week or so.
âThen you took a couple of bullets for him.â
âNot on purpose.â
âThatâs pretty loyal for a guy on a short-term contract,â he says. âI guess he felt he owed you something, giving you a job, place to live, good salary.â
Mooney comes in and they play it together for a while. Mooney sits across from me, hands folded on the table. Pazzano stays on point.
âPretty much locked himself up there for eight years, right?â
âYou could say that.â
âLike he was afraid whoever took the shots might come back to do it right.â
âYouâd have to ask Leo,â I say. âHeâs a private man. He never told me what he was thinking.â
âOr who to watch out for?â
âNope.â
âOr why someone might hate him that much?â
âNope.â
âMakes your job a lot harder, doesnât it?â
âThese days my job is hotel security.â
Mooney finally speaks up. âExcept last night,â he says. âLast night you were back to being a bodyguard.â
The two of them pay Leo a visit and I sit by myself for a while, writing up a statement. I donât much like being in a police station; youâre never there because you want to be; youâre either suspected of something, or a witness to something, or waiting for the cops to be finished with someone you know. Any minute Iâm expecting them to start asking about the ruined plaque, or the switched drivers. I havenât written those details down and I wonât bring them up until they do. Withholding information of this kind probably isnât covered by any recognized confidentiality privilege and at some point no doubt Iâll pay for it, but right now my concern is strictly for my boss. I havenât told him about the plaque either.
Mooney comes back to resume our conversation.
âCastle in the sky, right?â Mooney says. âAny ideas how the guy got in?â
âYour guess is as good as mine, Detective.â
âI figure he mustâve had an elevator key. Donât you?â
âCould be.â
âUnless she let him