1989, and his old team was playing in the Hall of Fame game, and since I’m a transplanted Bostonian (although still a New Yorker and not-so-secret Yankee fan at heart), Tom Heitz, chief of the wonderful baseball library at the Hall of Fame, kindly invited me to join the sardines in this most lovely of all cans.
A.G. Spalding, promoter of the Doubleday creation myth. NATIONAL BASEBALL LIBRARY, COOPERSTOWN, NY .
The silliest and most tendentious of baseball writing tries to wrest profundity from the spectacle of grown men hitting a ball with a stick by suggesting linkages between the sport and deep issues of morality, parenthood, history, lost innocence, gentleness, and so on, seemingly ad infinitum . (The effort reeks of silliness because baseball is profound all by itself and needs no excuses; people who don’t know this are not fans and are therefore unreachable anyway.) When people ask me how baseball imitates life, I can only respond with what the more genteel newspapers used to call a “barnyard epithet,” but now, with growing bravery, usually render as “bullbleep.” Nonetheless, baseball is a major item of our culture, and the sport does have a long and interesting history. Any item or institution with these two properties must generate a set of myths and stories (perhaps even some truths) about beginnings. And the subject of beginnings is the bread and butter of these essays on evolution in the broadest sense. I shall make no woolly analogies between baseball and life; this is an essay on the origins of baseball, with some musings on why beginnings of all sorts hold such fascination for us. (I thank Tom Heitz not only for the invitation to Cooperstown at its yearly acme but also for drawing the contrast between creation and evolution stories of baseball, and for supplying much useful information from his unparalleled storehouse.)
Stories about beginnings come in only two basic modes. An entity either has an explicit point of origin, a specific time and place of creation, or else it evolves and has no definable moment of entry into the world. Baseball provides an interesting example of this contrast because we know the answer and can judge received wisdom by the two chief criteria, often opposed, of external fact and internal hope. Baseball evolved from a plethora of previous stick-and-ball games. It has no true Cooperstown and no Doubleday. Yet we seem to prefer the alternative model of origin by a moment of creation—for then we can have heroes and sacred places. By contrasting the myth of Cooperstown with the fact of evolution, we can learn something about our cultural practices and their frequent disrespect for truth.
The official story about the beginning of baseball is a creation myth, and a review of the reasons and circumstances of its fabrication may give us insight into the cultural appeal of stories in this mode. A. G. Spalding, baseball’s first great pitcher during his early career, later founded the sporting goods company that still bears his name and became one of the great commercial moguls of America’s gilded age. As publisher of the annual Spalding’s Official Base Ball Guide , he held maximal power in shaping both public and institutional opinion on all facets of baseball and its history. As the sport grew in popularity, and the pattern of two stable major leagues coalesced early in our century, Spalding and others felt the need for clarification (or merely for codification) of opinion on the hitherto unrecorded origin of an activity that truly merited its common designation as America’s “national pastime.”
In 1907, Spalding set up a blue ribbon committee to investigate and resolve the origin of baseball. The committee, chaired by A. G. Mills and including several prominent businessmen and two senators who had also served as presidents of the National League, took much testimony but found no smoking gun. Then, in July 1907, Spalding himself transmitted to the committee a letter
Aj Harmon, Christopher Harmon