barâor maybe thatâs the street. You hope street.
You pull out your phone, hit Safari, and check the Web. Nothing will load. The whole countryâhell the whole world, maybeâis online right now, checking the news, trying to figure out whatâs going on.
Just then, you hear a scream. A manâs scream. Then more. âOh Lord!â someone shouts.
A rush of noises from beyond the door. Bar stools hitting the floor. Glasses shattering. Chaos.
You tiptoe toward the door. You need to block it, or else youâre next. You look around for somethingâanything.
Thereâs a loud slamming sound from just outside the door. The hinges buck. You back into the corner, terror rushing through your body.
Banging on the door. The wood splinters. The doorâs top hinge pops off and it falls open, awkwardly, still attached at the bottom. It lands on the sink and cracks apart.
A rotund redheaded man collapses on top of the door, blood pumping steadily from an open wound in his back.
Standing behind him, staring directly at you, is one of them. One of those things. On TV you believed it, but you didnât understand. But nowâright in front of youâitâs real. A zombie. The walking dead. A beast in a business suit. Blood is spattered across its yellow power tie and the pink shirt beneath it.
Sonofabitch. Itâs Wall Street.
Its face is deathly white. A hole is torn in its cheekâyou can see the inner workings of its mouth and jaw. It jerks forward. Fills the door.
You make a move for the bathroom stall. But itâs too late. It leaps. You stick your hands out, try to toss it aside. No luck. Its teeth get a hold of your hand. It rips you forward and sinks its teeth into the bridge of your nose.
Your body goes into shock. You lose all sense of time. Minutes later, hours maybe, you regain some vague semblance of your senses. And then some. You smell flesh. Want it. Need it.
Youâre one of them now. And youâve got a driving urge to devour that pretty young bartenderâ¦
AN END
IS THERE A DOCTOR IN THE CAR?
His eyes stare up at the ceiling, glossy and devoid of life. Then they roll back into his headâa slot machine, both wheels coming up death.
âHey,â you say, quietly, to no one in particular. Youâve never had to yell for a doctor and to be honest, youâre feeling awkward as hell about it, despite the circumstances. âUm.⦠is anyone here a doctor?â
A thirtyish woman, straight off the set of
Sex and the City
, turns and looks at you like you asked her if she wanted to swap underwear.
âIs anyone here a doctor?â you ask, louder now. âThis man needs help!â
You look back down at him. Heâs no longer shivering. Definitely not breathing. Jesusâ¦
âIs anyone in here a doctor?â you yell.
A tall, handsome woman with dark, mid-length, curly hair pushes her way over and announces herself as a neurologist.
You talk fast, stuttering. âI donât think this guyâs breathingâandâandâand his eyes just rolled back in his head. And heâs all bloody thereâby the arm.â
You half expect her to throw a stethoscope over her neck, pull out a little black bag, and play small town doctor making a house call. Instead she leans over and lifts open his left eyelid. Then his right. Nothing looking back but creamy white.
She orders the onlookers to get back. Thereâs little room and they complain loudlyâbut manage to squeeze to the side and clear a small space on the bench. She lays him down and openshis coat. You see the severity of his wound now. His shirt is torn, like itâs been clawed by a wolf, and thereâs a huge gash on his chest. Despite the size of the wound, thereâs no blood leaking. Dried, black blood around the gash and on his jacketâbut nothing wet. The doc looks puzzled. Not a good sign.
She shoves her finger into his open mouth and