seen him at the Mortimer, when Mr Deacon had spoken so archly of having acquired his friendship through a vegetarian holiday. Now Chandler had made some name for himself, not only as a dancer, but also as an actor; not in leading roles, but specialising in smaller, unusual parts suitable to his accomplished, but always intensely personal, style. I used to run across him occasionally with Moreland, whose passion for mechanical pianos Chandler shared; music for which they would search London.
‘I also happen to know the Cardinal’s mistress,’ said Moreland, speaking very casually.
This remark suddenly struck a chord of memory about something someone had said a few days before about the cast of this very play.
‘But wasn’t she Sir Magnus Donners’s mistress too? I was hearing about that. It is Matilda Wilson, isn’t it, who is playing that part – the jolie laide Donners used to be seen about with a year or two ago? I have always wanted to have a look at her.’
Moreland turned scarlet. I realised that I had shown colossal lack of tact. This must be his girl. I saw now why he had spoken almost apologetically about going to the play, as if some excuse were required for attending one of Webster’s tragedies, even though Moreland himself was known by me to be greatly attached to the Elizabethan dramatists. When he made the suggestion that we should see the play together I had suspected no ulterior motive. Now, it looked as if something were on foot.
‘She was mixed up with Donners for a time,’ he said, ‘that is quite true. But several years ago now. I thought we might go round and see her after the performance. Then we could have a drink – even eat if we felt like it – at the Café Royal or somewhere like that.’
To hold a friend in the background at a certain stage of a love affair is a technique some men like to employ; a method which spreads, as it were, the emotional load, ameliorating risks of dual conflict between the lovers themselves, although at the same time posing a certain hazard in the undue proximity of a third party unencumbered with emotional responsibility – and therefore almost always seen to better advantage than the lover himself. Close friends probably fall in love with the same woman less often in life than in books, though the female spirit of emulation will sometimes fix on a husband or lover’s friend out of a mere desire to show that a woman can do even better than her partner in the same sphere. Moreland and I used to agree that, in principle, we liked the same kind of girl; but never, so long as I knew him, did we ever find ourselves in competition.
The news that he was involved with Matilda Wilson, might even be thinking of marrying her – for that was the shape things seemed to be taking – was surprising in a number of ways. I had never seen the girl herself, although often hearing about her during her interlude with Sir Magnus, a person round whom gossip accumulated easily, not only because he was very rich, but also on account of supposedly unconventional tastes in making love. Sir Magnus was said to be reasonably generous with his girls, and, provided he was from time to time indulged in certain respects, not unduly demanding. It was characteristic of the situations in which love lands people that someone as sensitive as Moreland to life’s grotesque aspects should find himself handling so delicate an affair, where perhaps even marriage was the goal. When we arrived at the theatre we found Mark Members waiting in the foyer. Members was the kind of person who would know by instinct that Moreland was interested in Matilda Wilson, and might be expected to make some reference to her past with Sir Magnus with the object of teasing Moreland with whom he was on prickly terms. However, the subject did not arise. Members had just finished straightening his tie in a large looking-glass. He was now looking disdainfully round him.
‘What a shabby lot of highbrows have turned