Connetable in her favor, which must have been made in the year 1556, Catherine began to cajole the Guises for the purpose of detaching them from Diane and opposing them to the Connetable. Unfortunately, Diane and Montmorency were as vehement against the Protestants as the Guises. There was therefore not the same animosity in their struggle as there might have been had the religious question entered it. Moreover, Diane boldly entered the lists against the queen's project by coquetting with the Guises and giving her daughter to the Duc d'Aumale. She even went so far that certain authors declared she gave more than mere good-will to the gallant Cardinal de Lorraine; and the lampooners of the time made the following quatrain on Henri II:
"Sire, if you're weak and let your will relax Till Diane and Lorraine do govern you, Pound, knead and mould, re-melt and model you, Sire, you are nothing--nothing else than wax."
It is impossible to regard as sincere the signs of grief and the ostentation of mourning which Catherine showed on the death of Henri II. The fact that the king was attached by an unalterable passion to Diane de Poitiers naturally made Catherine play the part of a neglected wife who adores her husband; but, like all women who act by their head, she persisted in this dissimulation and never ceased to speak tenderly of Henri II. In like manner Diane, as we know, wore mourning all her life for her husband the Senechal de Breze. Her colors were black and white, and the king was wearing them at the tournament when he was killed. Catherine, no doubt in imitation of her rival, wore mourning for Henri II. for the rest of her life. She showed a consummate perfidy toward Diane de Poitiers, to which historians have not given due attention. At the king's death the Duchesse de Valentinois was completely disgraced and shamefully abandoned by the Connetable, a man who was always below his reputation. Diane offered her estate and chateau of Chenonceaux to the queen. Catherine then said, in presence of witnesses:--
"I can never forget that she made the happiness of my dear Henri. I am ashamed to accept her gift; I wish to give her a domain in place of it, and I shall offer her that of Chaumont-sur-Loire."
Accordingly, the deed of exchange was signed at Blois in 1559. Diane, whose sons-in-law were the Duc d'Aumale and the Duc de Bouillon (then a sovereign prince), kept her wealth, and died in 1566 aged sixty-six.
She was therefore nineteen years older than Henri II. These dates, taken from her epitaph which was copied from her tomb by the historian who concerned himself so much about her at the close of the last century, clear up quite a number of historical difficulties. Some historians have declared she was forty, others that she was sixteen at the time of her father's condemnation in 1523; in point of fact she was then twenty-four. After reading everything for and against her conduct towards Francois I. we are unable to affirm or to deny anything. This is one of the passages of history that will ever remain obscure. We may see by what happens in our own day how history is falsified at the very moment when events happen.
Catherine, who had founded great hopes on the age of her rival, tried more than once to overthrow her. It was a dumb, underhand, terrible struggle. The day came when Catherine believed herself for a moment on the verge of success. In 1554, Diane, who was ill, begged the king to go to Saint-Germain and leave her for a short time until she recovered. This stately coquette did not choose to be seen in the midst of medical appliances and without the splendors of apparel.
Catherine arranged, as a welcome to her husband, a magnificent ballet, in which six beautiful young girls were to recite a poem in his honor.
She chose for this function Miss Fleming, a relation of her uncle the Duke of Albany, the handsomest young woman, some say, that was ever seen, white and very fair; also one of her own relations, Clarice Strozzi,
Lindsay Paige, Mary Smith
April Angel, Milly Taiden