finished. “Now you can talk to Louise, revisit your crime scene, and have a little time with friends. Interlude on West Eleventh, between Sixth and Seventh. At five, or as close as you can make it.”
He skimmed a fingertip down the dent in her chin. “It’s efficient.”
“I guess it is.”
“I’ve got a meeting shortly, so I’ll see you there.” Leaning down, he brushed his lips over hers. “Take care of my cop,” he told her, then left.
It should have weirded her out, Eve mused, sharing pizza and good-bye kisses, making dates for drinks in her office. It did, she admitted, but not as much as expected. Her gaze landed on the bakery box, narrowed.
She said, “Hmmm,” and, picking it up, walked out. She ignored the noses that came up sniffing as she passed through the bullpen, and caught a glide to Mira’s office.
The admin, busy on her comp, glanced up with a stern frown. “You’re early.”
“Then I’m not late.” Eve set the box on the desk. “Thanks for clearing time for me.”
Stern turned suspicious as the woman lifted the lid of the box a fraction, then more as she peered in. “Cookies? You brought me cookies?”
“They’re good. I had one. Is she free now?”
Still eyeing Eve, she tapped her earpiece. “Lieutenant Dallas is here. Of course. You can go right in.”
“Thanks.”
“Are these a thank-you or a bribe?” the admin asked as Eve moved to the door.
“They’re chocolate chip.” Pleased with herself, Eve stepped into the calm of Mira’s office.
Mira smiled from behind her desk. Maybe it was a shrink thing, Eve considered, thinking of Arianna. The warm looks, the pretty, feminine suits, perfect blend of color and jewelry.
“I know you don’t have much time.”
“Enough, I hope. Have a seat.” As Eve took one of Mira’s blue scoop chairs, Mira came around the desk, took the one facing. “I looked over the data, the crime-scene photos. My first question is, how sure are you there’s only one killer?”
“Very. We have a wit who saw him at the rear of the building, where he broke in. She worked with Detective Yancy.” Eve took out the sketch, offered it.
“Well.” In her placid way, Mira studied the sketch. “Now I have to ask, how good is your witness?”
“Again, I have to say very. I figure he geared himself up for it, added the drama. The wit says he danced in the streetlight, laughed his ugly ass off. My sense of the scene is frenzied glee. He had to be on something because killing three people that dead takes endurance.”
“I agree.” Mira tucked a lock of sable-colored hair behind her ear as she continued to study the sketch. “Theatrical, confident, organized. He knew where to break in, came prepared, and was able to kill, with extreme violence, three people, alone, and in a relatively short amount of time. Endurance, yes, and rage.”
She shifted, met Eve’s eyes with her own quiet blue ones. “I agree with your assessment that he has some sort of medical training. The amputations were skillfully done. I believe he’ll keep these trophies, these symbols. His victims are no longer able to see, hear, or speak of him.”
“But they had, prior to their deaths.”
“Almost certainly. They knew each other. Dancing, laughing, so yes, he enjoyed himself. He can celebrate—and in the light, perhaps hoping he’d be seen. Spotlighting after his success.
“He envied their friendship,” Mira continued. “Their bond, and their happiness. He won’t make friends easily, won’t feel that bond. He most likely lives alone, feels underappreciated at his work. He’s skilled. The elaborate disguise tells me he wants to be noticed, and doesn’t feel he is, not enough. Nothing is enough. He wants what others have—friends, family, community—and at the same time feels superior to them. He’s better than they are. ‘Take out the trash,’ he wrote, in their blood. That’s what he made them. And it amused him. He’s a series of contradictions,
Matt Christopher, Daniel Vasconcellos, Bill Ogden