artist,â he said, gesturing to Ms. Holinground. Everyone, especially the boys, applauded.
âAlthough this was partially my idea, I want the proper credit to go where itâs due, so without further delay, Ms. Surette, the head of our art department.â
âThank you, Mr. Gondale,â Ms. Surette said, taking the floor. âAnd I must say,âhead of the art departmentâ sounds much better than âour only art teacher.ââ This got a small chuckle.
âAt the end of last semester, Mr. Gondale and I were looking at this large blank wall that welcomes all visitors to our fine high school and commenting that it was a very boring way to greet visitors. So, together, we came up with the idea of getting the students to design and paint a mural.â This meant Ms. Surette came up with the idea but didnât want to show up the principal.
âI shared the idea with the students, to an enthusiastic response. There were many wonderful and creative entries. Unfortunately I could only pick one, and I felt that this one was the most representative of what we are trying to instill in the students here at Lakeside. But as Mr. Gondale said, I want to give proper credit where credit is due. Our artist, Mr. Chill Holinground,â she said, handing over the floor.
Chill didnât move to center stage. With the turning of heads and thunderous applause, center stage moved to Chill.
Chill looked at the crowd. His eyes hesitated for a moment on Sara and then moved to me. âFor all who dare to dream,â he said, pulling the rope and bringing everything crashing down.
Chapter Sixteen
The mural had been changed. The basic elements were the sameâa row of faces above with the school in the background. But the faces were no longer of famous people. They were the faces of a number of teachers, some with their backs to us, others looking up at a central figure who looked ominously down on everything. It was the face from the composite sketch, only this time he was in brilliant color,hair flaming. It was Mr. Sfinkter, the demonic clown.
Mr. Sfinkterâs clothing looked more military than academic. He was wearing boots that were crushing Saraâs and my heads. Beneath us, in Sfinkterâs enormous shadow, were a variety of other students painted in black and white. I noticed that the school had bars on the windows and a fence surrounding it with spirals of barbwire at the top.
Chill had changed my phrase from âThe future is bright if youâre not afraid of the lightâ to âThe future is bright if you donât get crushed by the darkness.â
In the mural, Ms. Surette had an expression of confusion on her face, as if she knew something was wrong but didnât know what. In the corner by her feet was Chillâs unreadable symbol of original design.
The group of teachers stood in silence. The assembled members of the community looked confused.
I looked at Chillâs mom. She was staring at the painting. I was sure she was realizingwhat had happened at the station. She looked at Chill.
The students erupted in the loudest applause yet.
âCover it up! Cover it up!â Mr. Gondale was yelling while grabbing the top of the curtain and lifting it.
It took a minute before some of the other teachers jumped in and assisted.
Mr. Sfinkter was standing off to the side. He looked very much like he did in the mural, only it was his face that was flaming, not his hair. His eyes darted about. I realized that he was being torn apart, not knowing what to do. He wanted to put on a brave face for the teachers, but his anger wasnât letting him.
When the curtain was finally up and covering the mural, the principal looked around. Chill was still standing where he had been when the curtain fell, his expression unchanged.
âYou!â the principal yelled. He noticed the watching crowd and toned it down. âYou, to my office, now.â
Chill nodded as if