bakery or the theatre. Did you hear anything?'
Albano is a friend. I like him, and not just because of the food he cooks. I could have told him the truth. I would have been grateful for somebody to share Nelio with. But I said nothing. I'm still not sure why. But I think it was because I sensed that Nelio wouldn't have wanted me to. When I carried him up to the roof, he talked about the silence and the peace, and I took that to mean that he wanted to be alone with his pain and those thoughts that only he knew.
'No, nothing,' I said. 'If anyone had fired a shot, I would have heard it.'
'That's what we told them, too,' Albano said.
'Did they believe you?'
'Who knows what the police believe? And who cares, anyway?'
To change the subject, I asked him to pack up a little of the leftover rice and vegetables in a piece of newspaper, so I would have something to eat during the night. I didn't know whether Nelio would be able to eat anything, but I thought that rice and vegetables would be better than bread. Albano did as I asked, and I left the bakery as the girls who sold bread were mopping the floor and wiping the shelves while the last customers bought the remaining loaves. I got things ready for the night and spoke to Julio, the boy who was my dough mixer, telling him how much flour to bring from the storeroom. Several hours later we were alone, and just before midnight Julio went home. I did the first baking. After I had put the baking pans into the ovens, I hurried up the winding staircase to the roof. Nelio was awake when I arrived.
It was on the second night that he began to tell his story.
Somewhere down on the street, behind a dilapidated building right next to the theatre, a woman was standing outside in the dark, pounding corn for the next day. As she pounded the grain with a heavy wooden pole, she sang. I sat next to Nelio, and we listened to her song and the sound of the pole, thudding regularly and tirelessly like a heart.
'Whenever I hear a pole pounding corn, I think about my mother,' Nelio said, and his voice sounded unexpectedly strong. 'I think about her and I wonder whether she's still alive.'
Then he told me about where he grew up and the gruesome events that had cast him out into a world he knew nothing about. He told me about the first time he ever saw the ocean, and about how he finally came to the city. He didn't tell me everything straight through. Now and then he would grow too tired, the fever would return, and he would sink down into darkness. But he always came back. It was as if he dived into the sea and vanished, eventually coming up to the surface again, but in a completely different place.
Just before dawn he managed to eat the rice and vegetables I had brought from Albano. Each time he lapsed into the fever I would go back to the ovens. Nelio seemed to have an agreement with the fire, because his periods of silence and fever always came when I needed to take out the baked bread and put new pans into the ovens.
That night he started telling me about his life – although I didn't yet realise how his story was going to change my own life.
He grew up in a village far beyond the great plains, in a long valley right below the high mountains which mark the border to the regions where the people speak different and to us incomprehensible languages, and where they also have strange customs. The village was not a big one. The huts were built of sun-dried clay with a pole in the middle to hold up the roof, which was made from woven reeds gathered in the river nearby, where crocodiles lurked below the surface and hippos bellowed in the night. He grew up with many brothers and sisters, with his mother Solange and his father Hermenegildo. That was a happy time; he couldn't remember that he ever had to go hungry to the mat where he slept at night and shared his blanket with several of his siblings. They always had corn or sorghum, and with his brothers and sisters he had learned where the bees hid