up.
âWhat did you say?â
âI donât know, Gould, what did I say?â
âCover up.â
âNo way.â
âI swear.â
âYou dreamed it.â
âYou said cover up, as if you were my mother.â
âCome on, letâs go.â
âYou said it.â
âStop this.â
âI swear.â
âAnd cover up.â
The street sloped slightly downhill, and the ground was littered with leaves that had fallen from the trees, so Gould shuffled his feet as he walked, as if he had moles instead of shoes, moles that were tunneling through the leaves, making a noise like a cigar being lighted, but multiplied a thousand times. A red and yellow noise.
âMy father smokes cigars.â
âReally?â
âHeâd like you.â
âHe
does like me,
Gould.â
âHow do you know?â
âI can tell, from his voice.â
âReally?â
âYou can tell a lot of things, from a personâs voice.â
âFor example?â
âFor example, letâs say you hear someone with a beautiful voice, really beautiful, a man with a beautiful voice, OK?â
âOK.â
âThen you can bet on it, heâs ugly.â
âUgly.â
âWorse than ugly, really ugly, a greaseball, you know, heâs too tall, or he has fat hands that are always sweaty, always sort of moist, you get the picture?â
âSo.â
âWhat do you mean, so?â
âI donât know, I donât like to shake hands. In fact I donât have much experience of hands.â
âYou donât like to shake hands.â
âNo. Itâs stupid.â
âOh?â
âGrown-upsâ hands are always too big. Itâs pointless for them to shake hands with
me,
just thinking about it is stupid, and in the end itâs always embarrassing.â
âOnce, on TV, I saw the Nobel Prizes being given out. Well, one person went up there, in a fancy outfit, and then all he did was shake hands, from start to finish.â
âThatâs another story.â
âItâs a story Iâm interested in. Tell it to me, Gould.â
âWhat do you mean?â
âThe Nobel Prize.â
âWhat about it?â
âHow did they decide to have you win it?â
âThey didnât
decide
to have me win it.â
âYou mean you just won it?â
âThey donât give the Nobel Prize to children.â
âThey could make an exception.â
âStop it.â
âOK.â
â. . .â
â. . .â
â. . .â
âAll right, then how did it happen, Gould?â
âNothing, itâs nonsense, you knowâa way of talking, I think.â
âOdd way of talking.â
âSo you donât like it?â
âItâs not that I donât like it.â
âYou donât like it.â
âI find it odd, thatâs all. How can you think of telling a child that heâs going to win the Nobel Prize? He may be intelligent, and what have you, but you canât knowâmaybe heâs not
that
intelligent, maybe he doesnât
want
to win the Nobel, and anyway, even if he does, why tell him? Isnât it better to leave him alone, let him do what he has to do, and then one morning heâll wake up and theyâll say have you heard the news? Youâve won the Nobel Prize. The end.â
âLook, no oneâs said anything to me . . .â
âItâs the way you talk to someone when heâs going to die.â
â. . .â
â. . .â
â. . .â
âIt was only an example, Gould.â
â. . .â
âCome on, Gould, it was only an example . . . Gould, look at me.â
âWhatâs the matter?â
âIt was only an example.â
âOK.â
Gould stopped and looked back. There were the two furrows dug by his feet through the leaves, like long, even stripes, vanishing
Ditter Kellen and Dawn Montgomery
David VanDyke, Drew VanDyke