others with spears, a dozen at first, and behind them still more: donkeys pulling carts, soldiers on footâmore men and beasts than he has ever seen.
He leaps down from the tree and sprints the trail home, Moonlight and Tree trotting behind, still chewing their cud, pushing through the tall grass like the prows of ships. By the time Omeir reaches the byre, Grandfather is already limping out of the house, looking grim, as though some unpleasant reckoning he has delayed a long time has finally arrived. He hushes the dogs and sends Nida into the root cellar and stands with his spine rigid and his fists at his sides as the first riders come up the track from the river.
They ride tasseled ponies with painted bridles, and wear redbonnets, and carry halberds or iron rods or have compound bows strapped to their saddles. Little powder horns dangle from their necks; their hair is strangely cut. A royal emissary with boots to his knees and his sleeves bunched in ruffles at his wrists dismounts and picks his way between the boulders and stops with his right hand resting on the pommel of his dagger.
âBlessings on you,â says Grandfather.
âAnd on you.â
A first few raindrops fall. Farther back along the procession Omeir can see more men turn off the road, a few with skinny mountain oxen hitched to carts, others on foot with quivers of arrows on their backs or swords in their hands. The gaze of one of the heralds stops on Omeirâs face and his expression twists in disgust, and the boy gets a flicker of what he and this place together must present: a rude dwelling carved into a hollow, home to a gash-faced boy, hermitage of the deformed.
âNight is coming,â says Grandfather, âand rain with it. You must be weary. We have fodder for your animals, and shelter for you to rest out of the weather. Come, you are welcome here.â He ushers a half-dozen heralds into the cottage with stiff formality and perhaps does so genuinely, though Omeir can see that he brings his hands to his beard over and over, plucking at hairs with a thumb and forefinger as he does whenever he is anxious.
By nightfall rain falls steadily, and forty men and almost as many animals shelter beneath the limestone overhang around a pair of smoky fires. Omeir brings firewood, then oats and hay, hurrying about in the wet dark between the byre and cavern, keeping his face hidden inside his hood. Every time he stops, tendrils of panic clutch his windpipe: Why are they here and where are they going and when will they leave? What his mother and sister distribute among the menâthe honey and preserves, the pickled cabbage, the trout, the sheepâs cheese, the dried venisonâcomprises almost all of their food for the winter.
Many of the men wear cloaks and mantles like woodsmen but others dress in coats of fox fur or camel hide and at least one wearsermine with the teeth still attached. Most have daggers attached to girdles around their waists and everyone speaks of the spoils they are going to win from a great city to the south.
Itâs after midnight when Omeir finds Grandfather at his bench in the byre working in the light of the oil lampâan expense Omeir has rarely seen him be so reckless with beforeâfashioning what looks like a new yoke beam. The sultan, may God keep him, Grandfather says, is gathering men and animals in his capital at Edirne. He requires fighters, herders, cooks, farriers, smiths, porters. Everyone who goes will be rewarded, in this life or in the next.
Little whorls of sawdust rise through the lamplight and melt back into shadow. âWhen they saw your oxen,â he says, âtheir heads nearly fell off their necks,â but he does not laugh and does not look up from his work.
Omeir sits against the wall. A particular combination of dung and smoke and straw and wood shavings make a familiar warm tang in the back of his throat and he bites back tears. Each morning comes along and you