opposite â am I right? I mean, theyâd take a statue in out of the cold before theyâd give a fuck about another human being.â
Farley stands gulping at the shock of his own little speech.
The man puts a hand on his arm. âRelax, Farl. Heâs not the only priest in the world â is he? Thereâs a church in Thomas Street, you know. Churches all over the city.â
âSorry, sorry. Itâs just⦠I didnât mean to sound disrespectful but you know?â
âYouâre upset, Farl. Donât worry. Itâs understandable; youâve just lost your pal. Look, do whatever it is you have to do, but try get a little rest â wha? God knows you worked for the man long enough.â
âI was a partner in that firm, you know.â
âThat right?â
âYea, I was made a partner. I didnât just work for the man, you know. You donât believe me?â
âI do, of course. I just never heard that before.â
âWell, itâs true. A partner. For years. And not one of them. Not one of them would bother. Well. Never mind all that.â
âLook, when youâre finished in town, get yourself home and have a snooze by the fire. Iâll tell Jackie you were asking for him and see you at the funeral â right?â
âYea. O, bye now. And tell Timmo I was, you know, asking for him too.â
The man looks at him funny, then gives him a half salute and pushes off with his bicycle. Farley watches till heâs out of sight.
He crosses the road, heads towards the bus stop and wonders â whoever Timmoâs son is, he must be well in with the Sloweys all the same, if he was thinking of going up to the house. But at the same timehe couldnât be
that
well in, if he didnât know about the falling out. Timmo? Timmoâs son? And whoâs this Jackie is again?
The bus is jammers. Heâs sitting upstairs, as he always does because he likes looking down on other peopleâs gardens, giving them marks out of ten for appearance. Heâs sitting upstairs in the solid, stuffy air, the windows fogged with the breath of strangers and some little bollix down the back smoking a cigarette â but whoâs going to say a word to him? One vacant seat on the right, two thirds of the way down. Farley goes to it, then settles himself in by the window, Cleryâs bag on his lap; the shape of the shoe, the corner of the Mass card â everything in order. Grand. Around him people are talking into mobile phones. Mobile phones are beeping at people. One girl roaring at the top of her voice: âSo I just said to him, yea? Is that righâ-is-it? Because if you fucken tink Iâm puttin up with that you can go and fuck right off and you and your scabby bleedin oulone.â
Farley tries to remember when this started to happen â people shouting on the bus, letting everyone know their business; turning their minds inside out, broadcasting every thought in their heads.
Near the front of the bus, two large African women, startlingly dressed, sit across the aisle from each other. As they speak, huge hats like big paper bags plonked on top of their heads, nod softly to each other; flax yellow to scarlet red. Thatâs how it should be. A quiet conversation, a little bit shy, a little bit open; let people eavesdrop because they want to, and not because theyâve no choice.
He stretches up to open a window, glancing around as he does so, as if he should be asking someoneâs permission. A squirt of clean, sharp air quenches his face. The woman sitting in front runs her hand over the back of her neck, gives a little shudder and tuts. Farley pretends not to notice. He sits down again, rubs a viewing screen into the steam on the window and looks out. He wants the bus to slow down a bit so he can look at the gardens. But the bus, too full to stop, is barrelling along. All he can see isrows of houses jigging loosely by,