Communion Town by Sam Thompson Read Free Book Online Page A

brown fluid had slopped across the table, and a couple of spots were spreading on the customer’s shirt. The waiter pulled a napkin from his apron and pressed it to the tabletop.
    The customer, chins quivering, slapped the bottle from the waiter’s hand so that it bounced across the tiled floor, splashing gouts of liqueur. As the waiter stooped to retrieve it, he was jabbed in the behind by a pointed, polished toecap, hard enough to send him sprawling in the mess. The fat man resumed his seat with a righteous twitch of his trouser legs, his eyes darting around the other patrons of the café. My cup rattled in its saucer. No one moved. Conversations continued; the other waiters went about their business. I swallowed the last of my coffee, and hesitated. The waiter rose to his knees, his white shirt blotted with syrup and grime.
    The door at the back of the café banged and a young man appeared, his feet clicking fast on the tiles. His tie was slung over his shoulder and his hair neatly gelled. He saw the urgency of the situation: he caught the waiter a ringing slap across the back of the head, then took hold of his ear, dragged him to his feet and propelled him through the rear door. Returning to the customer’s table, bobbing and bowing, he began what promised to be a virtuosic apology. Another waiter brought a mop for the floor.
    The espresso machine rasped, and on the other side of the café a pair of ladies exclaimed their agreement about something or other. I closed my notebook and stood up.
     
    One afternoon she brought me to a grimy street behind Festal Place, to a shop whose window was full of fiddles, mandolins, ukuleles and banjos: glossy wood in every autumn shade. Inside, guitars dangled overhead like extraordinary fruit. The myopic, dandruffed shopkeeper seemed as doubtful of my business here as I was myself, but both of us went along with what she wanted. Hopelessly conscious of my ignorance, I pointed to instruments which he lifted down for me, and, sitting on a tall stool, I ran my hands over the strings, strumming and picking the most impressive-sounding figures I had so far managed to invent. Right away I realised how flimsy and ill-made the guitar in her bedroom was. These were real instruments, sound and responsive, sweet and resonant. They had no end of music in them if I could find it.
    I chose a traditional guitar with an unusually small body, a maple veneer and an inlay of darker wood around the sound hole. Every joint and curve, every detail, was flawless. In my hands it had the strange feel of future intimacy. It seemed heavy for its size, but the lightest touch pinned the strings neatly to the fretboard. I hung back, holding the instrument in both hands, while she paid. I never learnt how much it cost.
     
    The city had music wherever you went, I discovered. Walking home from work through Belltown Park, I heard a tuneful racket from the old bandstand, where two bearded youths and a pale girl were playing amplified folk tunes, singing close harmonies through tinny microphones. Most people were ignoring them or pausing for half a song and moving on, but I stayed an hour, listening with envious delight. A grey-haired woman and a small boy stopped in front of the bandstand, her arm around his shoulders and his fist bunching her coat; she gave me a sharp look, but then seemed to decide I was permissible. A gang of teenagers around a park bench whooped half-sarcastically after each song. As the band packed up, I left, wanting to approach them but not knowing what to say.
    I went through all the music she had in her room, listening to the same songs over and over and shadowing them on my guitar, chord by chord, until I knew them by heart. For a while I was preoccupied with a dead singer who had a trick of double-tracking his voice on his recordings. His eloquent, subdued melodies were so distinctive they must have been coded deep down in his cells. Daylight from your bedroom window, That was what we wore