not one of us questions that he can deliver on the advertised promise of fame and fortune.
I T TAKES ANOTHER HOUR AND he selects the bassist, dismisses a bunch more. Now there are only four left. That Iâm among them is a total shock to me. The other three go first, and theyâre all much better guitarists than I am. They can all carry a tune as well. When itâs my turn Iâm so nervous, I literally bang my lips against the mic. âSweetheart, please, itâs not your boyfriend up there, itâs a mic.â
I blush. Extensively.
The song he picks for me to sing is the Stones, âSympathy for the Devil.â
First stroke of luck, I know it by heart.
When Patti first showed up, all they could do was compare her to Mick, which I find insulting. She was herself, wasnât that enough? I strum the first chord a few times and then the drummer hits the beat and we start in.
I donât know what happens, because Iâm nervous as hell but somewhere along the way the music takes over and by the time Iâm in St. Petersburg Iâve forgotten where I am.
Then, just like that, itâs over.
âAll right,â Johnny O says and he turns around and dismisses the other girls.
O UTSIDE , THE THREE OF US stand in the parking lot. We are The Misfits.
Tara, the bassist, is spark-plug short with dark hair, cut just at her shoulders. She looks kind of boyish. Eileen, our drummer, is really tall. Iâm five eight and she looms over me but like a lot of tall girls she hunches her shoulders to try and hide. Sheâs got this mop of curly red hair and a lot of freckles spanning the bridge of her nose. It turns out Eileenâs from Woodland Hills and Tara is from right nearby; she lives in an apartment complex two blocks from Griffith Park. Theyâre both living with their moms, as in children of divorce. I come from a happily married family, so Iâm the odd girl out. Also Taraâs already been in two other bands and Eileen learned how to play because her older brother is a drummer.
âHow about you?â Eileen asks.
I admit that Iâve basically only played alone in my room.
âReally?â I canât tell whether theyâre impressed or horrified. Changing the subject, Eileen says, âThat guy Johnny O is pretty weird, right?â
âNo kidding,â I say.
âDo you think he can really do something for us?â Tara asks.
âI hope so,â Eileen says.
I nod. We all have the same dream glittering in our eyes.
Eileen stubs out her cigarette and then she turns to me and says, âYou really killed that song by the way.â
âYeah, you totally did!â Tara agrees.
They both seem to mean it. I donât think Iâve ever felt this happy.
T HUS , I BEGIN TO LIE big time. I invent a new job, a new friend, tutoring after school, anything that sounds even halfway real. We have to rehearse every day.
I get away with being the queen of deception for seventeen days. On the eighteenth, Johnny O introduces us to Trish who he says is going to perfect our look. When sheâs done with me, my hair is cut short and dyed jet black. Not to mention the makeup. âYouâll have to stop sitting out in the sun so much,â Trish tells me as she works to accentuate my eyes, dark slashes of eyeliner and coral pink eye shadow.
âWhat on earth?â My motherâs jaw could not fall further south and the horror is etched on her face. âOh my god, your beautiful hair.â She is almost crying as she grabs my hair in a last-ditch attempt to believe that somehow Iâm playing dress up.
âIâm in a band,â I tell her.
âWhat?â
I explain, a little. My father comes home. Theyâre both aghast. They announce Iâm officially grounded.
âYou canât do that,â I say.
âYes, we can. Weâre your parents.â
Wrong. That night I sneak out with a backpack full of a few essentials