flat stone the color of dry mud, black-flecked. The blacksmith told me the sundial used to stand in the middle of the Plaça; he had marked the hours and forged the pin in the center to signal them. A year later someone had stolen the pin, but no one cared; no one wanted time in their lives. From where we were sitting, we could see clumps of canes and a few birds flying low over the water. The sun came up, and we watched the sunrise, our eyes wide-open, though we wished they were closed. It was a globe of fire, splashes of flames everywhere, all of it ablaze. When we closed our eyes, a black spot quivered before us. We heard the hammer beginning to strike the anvil. She got up and stood right in the center of the stone, placing her feet firmly together to cover the hole where the iron pin had been. She said she would be Time. She stood very still, casting the edge of her shadow between two hours. Slowly, the shadow moved. Later, as the young men were leaving the village for the stables and the eldest for the slaughterhouse, her shadow rested on an hour before inching away. Once more it came to a halt between two hours. I asked her if she knew what time was, and she said, Time is me—and you. She made me stand beside her; I took her by the shoulders, and she took me by the waist. The sun dispatched a trail of misty haze over the slopes of Maraldina and Senyor’s mountain. And while we were Time, a strange force arose within me, as though my guts had been made of iron, as though my mother, behind the forge, had moulded me from iron as she merged with the blacksmith. At that moment I understood what it meant to experience the force of the boy leaving childhood behind. She looked at me. I took her hand and made her step down from the stone; then she dropped my hand. I headed to the stables, she to the village. I turned back to look at her; she had turned round too.
From out of nowhere four or five children appeared, naked, with skinny legs and fat bellies. They yelled, go with the ugly girl, go with the ugly girl, and jumped up and down like goats. The oldest one threw a rock at me, and the others followed suit. Then all at once five or six more appeared from behind some shrubs and started hounding me with rocks. I couldn’t respond to the aggression; there were too many of them. Besides, I was afraid that if I threw rocks at them, I would really hurt them. So I started running, and that excited them; they chased after me, their skinny bodies sunburned. I took the path to Maraldina, knowing that would tire them. They looked like little stumps, pursuing me, yelling, go with the ugly girl, the ugly girl. Without warning, a rock struck my upper arm and blood spurted out. Let’s kill him, kill him . . . They continued to run, but I had gained ground. Two were boys I had set free from kitchen cupboards. When I reached the cemetery of the uncemented dead, they froze. I watched them; even from a distance I could see the fear in their faces. They stopped throwing rocks and were silent for a moment. The oldest boy, head up, straight as a staff, flung his arm forward from time to time, his hand open, yelling, go with the dead, the dead, and they all shouted, the dead. As they strode away, they swung their heads round to shout, the dead.
We returned to the cave that night. We left the house together and slept there. We cleared a space in the dust, and in our crimson bed sweet sleep enveloped the delicate skin over our eyes. My arm hurt. The blood had formed a scab. With a trace of daylight from the shaft, we made two beds, like two cradles, one beside the other, so we could sleep holding hands. We formed a mountain of dust for a pretend table, and mounds of dust for pretend chairs, and little piles of dust for pretend pots and pans and little cups and round platters.
Every night we would go to the cave. As soon as we woke up, she would tell me what she had seen while she slept. One night a finger of hers turned into a caterpillar, and
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