not picked up one of the cards with the name and address of the gallery where Stefâs art was on display. Her painting of Newport Bay had impressed him, and he wanted to see more of her work.
That Friday after Dave left, Tony cleaned the shop and stood for a moment considering whether he would return after he had some dinner. With all of Saturday and Sunday at his disposal, there was little point in working that night, he decided. Back to the apartment, maybe watch a movie on TV, read, relax. For the first time in his adult life, he had time to make such decisions and feel good about them. That was a gift he had never expected to receive, and he was grateful for it. He was sleeping well, a deep, restful sleep, with no traffic noise, no airplanes overhead, no middle-of-the-night emergencies, no difficult investigation eating away at him day and night. His hip still ached, but not constantly and not with the intensity as months before. His knee seldom was a problem. This place was turning out to be exactly the right place, as if all his life it had been here waiting for him, possibly calling him, and he had been deaf and blind.
He was ready to leave the shop when the door opened and Stef walked in. He knew who she was the minute he saw her, before she said, âHello, Tony. Iâm Stef.â
âIf youâre looking for Dave, he already left.â
âI know. I saw him drive home. Iâm looking for you. I want to show your box in Marnieâs shop. Dave said itâs up to you.â
âWhere your painting is? In that display?â
She nodded. âIâll change it Monday, hang something else, show something else. I want your box in the group. I like it.â
âThanks.â
She looked garish with pink hair, her lips exactly the same hot pink, too much eye makeup. Every fingernail was a different color, the full spectrum of color. She was wearing slim jeans that accentuated her thinness, and a bulky, black sweatshirt that somehow seemed to emphasize it. Her wrists were nearly skeletal, as were her hands. He watched her silently as she moved about the shop touching the tools, the lathe, and stopped in front of his bench, where he had covered a piece he was working on with a beach towel. She pulled it aside, glanced at him, and said, âThatâs yours, isnât it?â
He nodded. It was a tabletop with a tulip inlay pattern. Parts of the slender inlaid stem bulged slightly.
She touched it. âWhatâs wrong with it? Itâs too big or something.â
âDrying. It will shrink and Iâll smooth it down the rest of the way.â
She replaced the towel and looked at him. âHow can you make wood bend like that? Why doesnât it break?â
âI soak it until it gets pliable.â
âI wondered how you did the box. Itâs beautiful. How much is it?â
âNot for sale.â
She nodded. âGood. Art isnât a commodity, a product priced by the pound.â
âI was very impressed by Newport Bay . Thatâs a beautiful painting. Where is your work on display?â
âIt isnât.â She was moving toward the door. âYou didnât answer my question. Can I include the box at the shop?â
âYes.â
âIâll change things on Monday morning. Get ready for spring break, a lot of visitors. Drop in and have a look later.â She opened the door, then turned again to face him. âCome by the house tomorrow after you get through here. Iâll give you a private showing.â
âOkay,â he said after a moment.
âThe rear house, not the other one. Thatâs Marnieâs. Iâll have her over, too. Time for you to start socializing or something.â She left as swiftly as she had come, and he leaned against the bench and laughed softly. Stef, the wild one, he thought, didnât beat around the bush.
*Â Â Â *Â Â Â *
H E LOCKED UP and walked toward his apartment