to one another, shadow and musician, the bass player half-sat on a bar stool, ragged out in honestly worn jeans with a sateen tour jacket, hair to his shoulders, a single long earring.
There was a sudden, machine-gun-like burst of hot jazz guitar.
âOkay, Justin, weâre ready if you are. All saddled up up here. Letâs ride, man.â
The cowboy on the stool beside me looked at me for the first time.
âBoyâs your basic asshole,â he said, âbut if thereâs a better guitar player in four states I ainât seen him.â
He got up, ambled onstage, strapped on a bright red electric mandolin.
âKeep it country,â he said, âjust keep it country,â and the band broke into an uptempo version of âFaded Loveâ heavy on tremolo and sevenths. They worked without a drummer, and with that particular bass player, with the guitarist somehow laying in brick-solid rhythm chords and skirting all around the melody at the same time, they didnât have much need for one.
âFaded Loveâ gave way to âSweet Georgia Brownâ and that to a breakneck âJolie Blonde.â Then a catchall of current hits with the guitarist singing while the mandolin player stitched bluesy licks and fills all through his lyrics.
Sometime during the second set and third beer, the bar stool beside me stopped being empty.
âOkay if I join you?â Alicia said. âGuess you changed your mind huh? God, I love these guys. Bourbon and water, Lou.â
She had changed into black jeans, pink hightop canvas shoes, a voluminous manâs cardigan (sleeves rolled into doughnuts) over a lowcut cotton top. What appeared to be an authentic Indian arrowhead hung from a rawhide thong and pointed down into her cleavage.
Foucaultâs pendulum. Use it to deduce and demonstrate the earthâs rotation.
âWe havenât really met,â she said, âbut Iâm Alicia. Youâre staying at the Island, too, I bet. Business trip, or pleasure?â
âBusiness, mostly.â
âYou ever mix the two?â
I shrugged, and the gesture hung between us there in the air like a ghost struggling to keep its form, like a diminutive fire. She smiled and took a healthy swig of her drink, then a measured one. Accustomed to pacing out a nightâs drinking.
âWell,â she said. âYou like country music?â
I nodded.
âYou donât look like you would. Not the type, you know? And so much of itâs just junk anyhow. Iâm gonna get drunk till I get over you. Kick me again, thatâs the only time we touch. But then in the middle of it all thereâll be this one line, or this few seconds of music, thatâs just absolutely right, that says what you need to say in ways you never can.â
We had a couple more drinks and sat there talking. Alicia was twenty-eight, legally married but living on her own for about two years now, in furnished apartments mostly, sometimes with a dog, God she loved dogs, but the dogs, like the men, never lasted. They all ran away or turned mean.
We agreed on one last drink, and towards the end of it she said: âGuess you must be pretty tired huh, being on the road and all. Probâly just going to go on back to your room and turn in.â
I told her that I was.
âYeah. Well, me too, I guess.â
We said good-bye and I walked out into the parking lot, leaving the start of a new set and âMilkcow Bluesâ behind. An older man in a bowling shirt leaned against the wall puking. A jet whistled past overhead. The neon BLUE CORRAL sign flickered once and became BLUE COR AL . Lost at sea.
Not long after, there was a knock at my motel-room door. I opened it. She was carrying her sweater.
âThis is absolutely your last chance,â Alicia said. She looked beyond me into the room and smiled: âOr mine.â
14
Outside a town named Stonebrook I pulled off the interstate, stopped at a
Alexei Panshin, Cory Panshin