depart-
ment stores for the large-sized boutiques, meeting
with disappointment after disappointment. About
the only thing that came close was a partly sheer,
yellow chiffon shawl of a top that, with its fringe
and assymetrical cut, had a light, party feel . . . but it
showed a hefty chunk of chubby shoulder, too.
“Pork loin in a yellow blanket.” Audra grimaced
at herself, shrugging it off and vowing to search on.
As the sun sank into afternoon, Audra headed
across town to where the fancy boutiques were
clustered in row after row on Madison Avenue, still
hoping to find the outfit that would capture Art
Bradshaw’s imagination, the look that would kick
fat, black and ugly to the curb, if not forever, at least
for a night.
And sure enough, in the window of Marciella’s
Audra found it: the perfect top, draped over the
DIARY OF AN UGLY DUCKLING
51
shoulders of a mannequin. It was a sleeveless, sil-
very, glittering thing with a deep V-neckline that
scooped just enough to show a little cleavage, but
not enough to scare anybody. Like the yellow shawl,
it graced the mannequin’s hips in a diagonal line.
Audra imagined it thrown almost casually over a
nice pair of black pants and coupled with a pair of
strappy sandals.
“Hello, hip and trendy,” she murmured, her nose
nearly pressed against the window. Only . . .
Audra could tell just by looking at it that it was
expensive—probably as much as she made in a
month. She hesitated, intimidated by the top, the
store, and the idea of spending thousands of dol-
lars on a single garment—but then she thought of
the divas of old with their gorgeous costumes and
changed her mind. Hell, even fickle old Scarlett
O’Hara had known that sometimes a woman had to
have a new dress to send the right signal.
“Thank God for MasterCard,” she muttered, fold-
ing her lips determinedly and yanking the handle
on the boutique’s heavy glass door.
A series of chimes sounded as she stepped inside,
her feet landing soundlessly on a spotless white car-
pet. The air smelled of some gentle perfume, and
soft romantic music played at a volume just above
noticeable. And the place was completely empty.
“May I help you?”
A skinny white girl not much older than twenty
or twenty-one appeared at Audra’s side like a man-
nequin coming to life. She wore a tiny pair of black
pants and a little top with a pair of slim spaghetti
straps not quite appropriate for the cool of the
52
Karyn Langhorne
March day, balancing herself atop a pair of ridicu-
lously high heels. She looked cool and chic and com-
pletely sophisticated.
A deep feeling of inadequacy and an awareness of
her own imperfection swept over Audra as she
stared at the girl. The sudden irrational urge to run
out the door seized her heart and she had to remind
herself that any woman tough enough to stare down
a bunch of convicts day after day could probably
handle buying a top from a high-end Manhattan
boutique.
Probably.
“May I help you?” the girl repeated, since Audra
hadn’t said a word yet, just stood there staring at her
with her mouth open like some oki hick come to the
Big City. “Do you need directions—”
“I’m looking for something for a party,” Audra
said, donning a crisp, arch, cosmopolitan voice that
sounded suspiciously like Bette Davis in her ears.
“And that top”—she jerked her head toward the
display behind them—“looks perfect. Very trendy.
Very hip.”
“Yes . . . yes it is . . .” the girl murmured, eyeing
Audra from head to toe. “Uh . . .” She licked her lips a
couple of times, then stuttered, “We—we might be
able to help you, b—but . . .” she looked around ner-
vously and lowered her voice, even though they were
the only two people in the store. “Well, if you don’t
mind my asking, what size are you?” Watching Au-
dra’s face change, she added quickly, “I ask because
we only carry up to size twelve.