a whole people; and this destiny I am inclined to consider in the light of a unique and peculiar tragedy, even while I realize that it has been before now laid on other nations, for the sake of their own and the general future, to wish for the downfall of their state. But considering the decency of the German character, its confidingness, its need for loyalty and devotion, I would fain believe than in our case the dilemma will come to a unique conclusion as well; and I cannot but cherish a deep and strong resentment against the men who have reduced so good a people to a state of mind which I believe bears far harder on it than it would on any other, estranging it beyond healing from itself. I have only to imagine that my own sons, through some unlucky chance, became acquainted with the contents of these pages and in Spartan denial of every gentler feeling denounced me to the secret police—to be able to measure, yes, actually with a sort of patriotic pride, the abysmal nature of this conflict.
I am entirely aware that with the above paragraph I have again regrettably overweighted this chapter, which I had quite intended to keep short. I would not even suppress my suspicion, held on psychological grounds, that I actually seek digressions and circumlocutions, or at least welcome with alacrity any occasion for such, because I am afraid of what is coming. I lay before the reader a testimony to my good faith in that I give space to the theory that I make difficulties because I secretly shrink from the task which, urged by love and duty, I have undertaken. But nothing, not even my own weakness, shall prevent me from continuing to perform it—and I herewith resume my narrative, with the remark that it was by our singing of rounds with the stable-girl that, so far as I know, Adrian was first brought into contact with the sphere of music. Of course I know that as he grew older he went with his parents to Sunday service in the village church at Oberweiler, where a young music student from Weissenfels used to prelude on the little organ and accompany the singing of the congregation, even attending its departure with timid improvisations. But I was almost never with them, since we usually went to Buchel only after morning church and I can but say that I never heard from Adrian a word to indicate that his young mind was any way moved by the offerings of that youthful adept; or—that being scarcely likely—that the phenomenon of music itself had ever struck him. So far as I can see, even at that time and for years afterwards he gave it no attention and kept concealed from himself that he had anything to do with the world of sound. I see in that a mental reserve; but a physiological explanation is also possible, for actually it was at about his fourteenth year, at the time of beginning puberty, and so at the end of the period of childhood, in the house of his uncle at Kaisersaschern, that he began of his own motion to experiment on the piano. And it was at this time that the inherited migraine began to give him bad days.
His brother George’s future was conditioned by his position as heir, and he had always felt in complete harmony with it. What should become of the second son was for the parents an open question, which must be decided according to the tastes and capacities he might show; and it was remarkable how early the idea was fixed in his family’s head and in all of ours that Adrian was to be a scholar. What sort of scholar remained long in doubt; but the whole bearing of the lad, his way of expressing himself, his clear definition, even his look, his facial expression, never left a doubt, in the mind of my father for instance, that this scion of the Leverkühn stock was called to “something higher”; that he would be the first scholar of his line.
The decisive confirmation of this idea came from the ease, one might say the superior facility, with which Adrian absorbed the instruction of the elementary school. He received
Shauna Rice-Schober[thriller]