terrible time: at noon, when all the cooking fires were lit. Mr Yamaguchi here is an architect, and he will talk to you about the way the house is made.”
Low bows were exchanged—his not quite so deep as hers—and he began to speak. Mr Yamaguchi’s English was more heavily accented than hers, but clear, and at the end of ten minutes, even the native brick-dwellers in his audience had a glimmer of how this utterly foreign style of house was created. Miss Sato bowed, and then she and the others talked about their homes, not only as machines of shelter but as places of comfort and welcome.
At the end of an hour they rose—rocking back onto their heels and flowing upright as gracefully as they had knelt—and bowed to our applause.
As a lecture, it had been quite impressive, not only leaving fifty strangers with a sense of how the cities they would see functioned, but the inevitability of the choices made by the country’s traditional builders—and why such things as removable shoes and sliding walls were necessary. I had little doubt that even the muscular young men, who had come with little more in mind than lessons in colourful customs, had received instead a degree of insight into how the land, the houses, and the lives that went on inside them were as interlocked as the joints of post and beam, mortise and tenon.
The day was heating up, the Palm Lounge temperature becoming uncomfortable. Many of the audience made for the doors. However, quite a few moved in the other direction, towards the front, to have words with the speakers—or, in the case of the women, to have a closer look at the kimonos. One of those who moved forward had come in towards the end: Lady Darley.
Tiny thread of moon .
Vast bright cavalcade of stars .
Dark water beckons .
I was, as one might imagine, interested in the wife of a blackmailing earl. Charlotte Bridgeford Darley—the name on the printed passenger list—was in her early thirties, with no sign of grey in her shining chestnut hair. She was of medium height and curvaceous enough to look faintly ridiculous in modern fashion geared towards those with my own stick-like torso. Fortunately, she made no such attempt, but chose soft fabrics that draped and complemented, cut in a way that made the young women around her look childish. The rest of her matched: hair short enough for fashion while avoiding the extremes, hands manicured but not showy, necklace and earrings tasteful, solid, and comfortable.
The countess looked expensive, but the money had been well spent. My estimation of the earl went up a notch: this was not the wife a complete fool would choose.
I had drifted forward to join the group. Lady Darley stood patiently, with no attempt to push to the fore, yet her very presence made others fall back a little at her approach. She moved smoothly into the series ofempty spaces until she stood in the front rank. She bent to admire the complex garments the older women wore, then turned to Miss Sato with a smile.
“That was a terribly interesting talk, thank you so much.” Her accent was a rich amalgam of London and Europe overlaying a Yorkshire childhood.
Miss Sato and the others all bobbed down in bows, and thanked Lady Darley in return.
“May I ask—my husband and I plan to be some weeks in Japan, where, among other things, he will be representing a friend’s business. Hosting social events and the like. Do you feel I shall need a kimono?”
Miss Sato and the others assured her that it was by no means necessary, although if she was interested, any good hotel would have tailors who could make up a costume for her, as well as maids who could assist her in wearing it. This led to questions about the wide belt that held the loose garment in place—the obi —and soon there was a gathering of women exclaiming over the way it all worked. One of the other English women, a Kent native of about Lady Darley’s age if not her rank, asked what kind of business it was that Lord