du nicht schreiten. Wie ein gestreckter
Arm ist mein Rufen. Und seine zum Greifen
oben offene Hand bleibt vor dir
offen, wie Abwehr und Warnung,
UnfaÃlicher, weitauf.
THE SEVENTH ELEGY
No longer, voice. No longer let wooing send forth your cry:
youâre past that. Even though your cry would be clear as a birdâs
when first Spring bears him aloft, almost forgetting
that heâs a cautious creature and not an unsheathed heart
being flung into brightness, into passionate skies.
Like him, with all his art, youâd also wooâ: invisibly,
so that some silent mate might learn of you, and,
as she listened, a reply would slowly wake and grow warmâ
the kindled complement of your own ardent feeling.
O and Spring would understandâ, annunciation
would echo everywhere. First those small
questioning notes, which a clear, confident day
would surround with heightening silence.
Then up the calls, up that long flight of steps to the dreamt-of
temple of the futureâ; then the trill, that fountain,
whose urgent jet is teased by its falling
where promise is foreplay ⦠And on ahead, the summer.
Not only all of summerâs dawnsâ, not only
how they change into day and gleam with genesis.
Not only the days, so tender around flowers, and above,
in the patterned treetops, so forceful and strong.
Not only the calm reverence in these outspread powers,
not only the paths, the meadows as evening deepens,
not only, after late thunderstorms, the pulsing clarity,
not only the onset of sleep and, near dusk, a premonition â¦
But the nights! Those towering summer
nights! And the stars, the stars of the earth!
O to be dead and to know them endlessly,
all the stars: for how, how, how to forget them!
And thus: Iâd call my lover. But not only she
would come ⦠Other girls would come from crumbling graves
and stand before me ⦠For could I limit
my call to just one? The interred seek
the earthâs surface forever. âYou children: one present thing
truly grasped would count for so many!
The whole of destiny crowds into childhood;
how often you would overtake your lover, panting,
panting from the blissful chase, aimless, breaking into freedom.
Life here is magic. Even you knew that, you girls
who seemed deprived of it, who were trapped in the cityâs
vilest streets, festering there, or cast aside
for rubbish. For each of you there was an hour, perhaps
not even a full hour, but between two intervals
a space not marked by the measures of timeâ,
when you had an existence. Everything. Veins filled with existence.
But we so easily forget what our laughing neighbor
neither covets nor confirms. We want to lift it up
and show it, even though the most visible happiness
only reveals itself when weâve transformed it, within.
Nowhere, Love, will World exist but within. Our lives
pass in transformation. And all the while the outside realm
diminishes. Where once a solid house endured,
some abstraction shoves itself into view, completely at ease
among concepts, as if it still stood in the brain.
The Zeitgeist is building vast reservoirs of power, formless
as the thrusting energy it wrests from everything.
It no longer recognizes temples. Furtively we hoard
what the heart once lavished. Where one of them still survives,
an object once prayed to, revered, knelt beforeâ,
itâs already reaching, secretly, into the invisible world.
Many no longer see it, yet without the gain
of rebuilding it greater now, with pillars and statues, within!
Each dull turn of the world leaves such disinherited,
to whom neither the past nor the coming life lends substance.
For to humans even what comes next lies far away.
This ought not baffle us but strengthen our defense
of a still recognized form. âThis once stood amidst men,
stood amidst Fate, the destroyer, stood
amidst Not-Knowing-Whither, as if it were alive there,
and
Bret Witter, Luis Carlos Montalván